Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 312
... collaboration , and the desire for authority , all of which puts us in power struggles , rivalries , and other appetitive uses of our energy . At the end of the play , Theseus advises : " Let us be thankful / For that which is " ( 5.4 ...
... collaboration , and the desire for authority , all of which puts us in power struggles , rivalries , and other appetitive uses of our energy . At the end of the play , Theseus advises : " Let us be thankful / For that which is " ( 5.4 ...
Сторінка 315
... collaboration , particularly insofar as , by stressing cooperation , they filter out an oppositional character to the term , one that is revived in the European association of collaboration with subversion or treason . In a word , we ...
... collaboration , particularly insofar as , by stressing cooperation , they filter out an oppositional character to the term , one that is revived in the European association of collaboration with subversion or treason . In a word , we ...
Сторінка 318
... collaboration / competition matrix is found in the scene in which the rivalry begins : PAL . I saw her first . Because of its anxiety about collaborative speech and vi- sion , the play intermittently must present a frictionless ...
... collaboration / competition matrix is found in the scene in which the rivalry begins : PAL . I saw her first . Because of its anxiety about collaborative speech and vi- sion , the play intermittently must present a frictionless ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's