Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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... appears only as a triumvir in the process of accumulating power ; he has not yet become emperor even at the end of Antony and Cleopatra . It is an unneces- sary hypothesis to posit that Shakespeare deliberately fol- lowed the ...
... appears only as a triumvir in the process of accumulating power ; he has not yet become emperor even at the end of Antony and Cleopatra . It is an unneces- sary hypothesis to posit that Shakespeare deliberately fol- lowed the ...
Сторінка 129
... appears both in ancient tradition , in Apuleius , and in the Old and New Testaments as Balaam's she - ass , and as the ass on which Jesus rode into Jerusalem for the last time . " Tell ye the daughter of Si - on , Behold thy King cometh ...
... appears both in ancient tradition , in Apuleius , and in the Old and New Testaments as Balaam's she - ass , and as the ass on which Jesus rode into Jerusalem for the last time . " Tell ye the daughter of Si - on , Behold thy King cometh ...
Сторінка 138
... appears accompanied by four Cupids . The court masque is mixed with pastoral play . Yet perhaps for the first time the " body " of a nymph who fell unhappily in love appears on stage with a " crooked churl " -a folk Fool . But even if ...
... appears accompanied by four Cupids . The court masque is mixed with pastoral play . Yet perhaps for the first time the " body " of a nymph who fell unhappily in love appears on stage with a " crooked churl " -a folk Fool . But even if ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's