Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 81
... action and judgment , it does not crowd out meaning , for much of the meaning of this play , as one critic has argued , resides in the characters ' attitudes to the language they use . stated , plotted action of the play is in itself ...
... action and judgment , it does not crowd out meaning , for much of the meaning of this play , as one critic has argued , resides in the characters ' attitudes to the language they use . stated , plotted action of the play is in itself ...
Сторінка 176
... action is what happens to Nick Bottom , weaver turned tragedian , metamorphosed into an ass / man , and beloved of Titania . In order to see more exactly how that element is integrated into the action and speech of the entire play , we ...
... action is what happens to Nick Bottom , weaver turned tragedian , metamorphosed into an ass / man , and beloved of Titania . In order to see more exactly how that element is integrated into the action and speech of the entire play , we ...
Сторінка 177
... action that takes place in the woods at night . It also thus happens that in a triple sense Shakespeare has formed his play so that the artisans of the city are at the center of the action ; and so that at the center of that center ...
... action that takes place in the woods at night . It also thus happens that in a triple sense Shakespeare has formed his play so that the artisans of the city are at the center of the action ; and so that at the center of that center ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's