Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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... Caesar as well , strictly and wholly within the time prior to his becoming Emperor of Rome . This precise limitation within the two plays , and within Antony and Cleopatra in particular , suggests a clear circumference of definition ...
... Caesar as well , strictly and wholly within the time prior to his becoming Emperor of Rome . This precise limitation within the two plays , and within Antony and Cleopatra in particular , suggests a clear circumference of definition ...
Сторінка 52
... Caesar parries , counterattacks , scores . Antony retreats , admitting first that he could not rule his wife , then that he did not receive Caesar's messenger because Three kings I had newly feasted , and did want Of what I was i'th ...
... Caesar parries , counterattacks , scores . Antony retreats , admitting first that he could not rule his wife , then that he did not receive Caesar's messenger because Three kings I had newly feasted , and did want Of what I was i'th ...
Сторінка 73
... Caesar . In general the euphony of Cleopatra's assonance is set against the cacophony of Caesar's alliteration . Compare the sound of Cleopatra's first speech ( I. i . 19-24 ; quoted above ) with Caesar's " to tumble on the bed of ...
... Caesar . In general the euphony of Cleopatra's assonance is set against the cacophony of Caesar's alliteration . Compare the sound of Cleopatra's first speech ( I. i . 19-24 ; quoted above ) with Caesar's " to tumble on the bed of ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's