Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 70Gale Research Company, 1984 |
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Сторінка 167
... Bottom has his irrepressible desires too - he wants to play every role in Quince's interlude . No one ever had a stronger histrionic appetite than Nick Bottom . In fact , Bottom's irrepressible desires might have led to contentions like ...
... Bottom has his irrepressible desires too - he wants to play every role in Quince's interlude . No one ever had a stronger histrionic appetite than Nick Bottom . In fact , Bottom's irrepressible desires might have led to contentions like ...
Сторінка 171
... Bottom's dream may be too unfathomable to expound , but it seems too rare to waste ; so having himself made his dream into " material for a performance , " as Alexander Leggatt puts it , Bottom will give it to Peter Quince as material ...
... Bottom's dream may be too unfathomable to expound , but it seems too rare to waste ; so having himself made his dream into " material for a performance , " as Alexander Leggatt puts it , Bottom will give it to Peter Quince as material ...
Сторінка 177
... Bottom is made to enter for a time into the fairy world . The occa- sion for Bottom's temporary entry into that world is , of course , the intended rehearsal of the artisans ' play . But the proximate cause of his entry proves to be the ...
... Bottom is made to enter for a time into the fairy world . The occa- sion for Bottom's temporary entry into that world is , of course , the intended rehearsal of the artisans ' play . But the proximate cause of his entry proves to be the ...
Зміст
Character Studies | 8 |
Production Reviews | 46 |
Further Reading | 102 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Перегляд фрагмента - 1984 |
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action actors Antony and Cleopatra Antony's apotrope Apuleius Athens audience Aumerle Bolingbroke Bottom Caesar character chard Cleo collaboration comedy comic context court critical crown cultural Cupid death Derek Jacobi drama Egeus Egypt Egyptian Elizabeth Elizabethan Emilia England English Enobarbus essay Essex fairies female film Folio Gaunt gender hath Henry Hermia Hippolyta homosocial honor imagery imagination king king's language London Lord lovers Lysander male marriage means ment metaphor Midsummer Night's Dream moon Mowbray narrative nature Noble Kinsmen Northumberland Oberon Octavius Palamon and Arcite patra performance Philostrate play play's Plutarch poetic political Pompey production Puck Pyramus Quarto queen Renaissance Richard Richard II role Roman Rome royal says scene seems sense sexual Shake Shakespeare speak speare speare's speech stage story style suggests theatre theatrical thee Theseus Theseus's things thou tion Titania tragedy tragic University Press Venus woman women words York York's