The Original Rhythmical Grammar of the English Language |
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Зміст
CHAP I | 1 |
CHAP II | 17 |
CHAP III | 40 |
and Exclamation The Break or Dash | 65 |
CHAP IV | 82 |
Cadence whatHow Cadences are formed | 93 |
CHAP VII | 116 |
Fifth Accident of Language Force or Quality | 128 |
Pauses or Rests Grammatical Punctuation | 239 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto 26 | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP XI | 142 |
Monosyllables Their Pliability in Lan | 153 |
CHAP XIII | 183 |
General Rules for Accents inadequate | 222 |
Three hundred and eightyeight questions | 232 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
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Загальні терміни та фрази
accent accidents according acute ancient applied artificial begin cadence called common complete composed consequence considered distinct effect elocution emphasis English equal Examples expression fall feeling feet force four frequently give Grammar grave Greek heart heavy heavy syllable kind language learned length light light syllables look loud manner marked means measure melody meter mode monotone nature necessary never notes o'er object observed organs P P P passion pauses perfection poetry present principles produce pronounced proper properly proportion prose prosody quantity reader reading and speaking reason require rest rhetorical rhythm rhythmical rising rules sense sentence short soft song sound speaker speaking speech spoken syllables thing thou thought tion tone triple varieties vary verse voice
Посилання на книгу
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz Markus Fauser Перегляд фрагмента - 1986 |