 | Ralph Griffiths, George Edward Griffiths - 1780 - 590 стор.
...that the maucs of light in a picture be always of a warm mellow colour, yellow, red, or a yellowffh white ; and that the blue, the grey, or the green...the furrounding colours warm, as we often fee in the work? of the Roman and Florentine painters, and it will be out of the power of art, even in the hands... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 476 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | 1862 - 818 стор.
...the masses of light in a picture be always of a warm mellow colour — yellow, red, or of a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 стор.
...masses of Jight in a picture be always of awarm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | Sir Joshua Reynolds - 1819 - 610 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | Samuel Prout - 1820 - 96 стор.
...that the masses of light in a picture be always of a warm mellow colour, yellow red, or a yellowish white; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and... | |
 | Sir Joshua Reynolds - 1824 - 332 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and... | |
 | sir Joshua Reynolds - 1824 - 332 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | sir Joshua Reynolds - 1835 - 726 стор.
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
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It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these... 
