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" The most striking thing to a foreigner in English theatres is the unheard-of coarseness and brutality of the audiences. The consequence of this is that the higher and more civilized classes go only to the Italian Opera, and very rarely visit their national... "
Tour in England, Ireland, and France: In the Years 1826, 1827, 1828, and ... - Сторінка 43
автори: Hermann Pückler-Muskau (Fürst von) - 1833 - 499 стор.
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The Tatler: A Daily Journal of Literature and the Stage, Том 4

Leigh Hunt - 1832
...expedient, even on the score of ultimate pecuniary profit. THEATRICAL AUDIENCES — THE SALOONS. ' The most striking thing to a foreigner in English...' English freedom here degenerates into the rudest licence, and it is not uncommon, in the midst of the most affecting part of a tragedy, or the most...
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Tour in England, Ireland and France in the years 1828 and 1829 by a ..., Том 3

Hermann F. H. Pückler-Muskau (Fürst von.) - 1832
...among us, — she is married to Lord WL , whose name she bears in her own family and in private f. On the stage, however, she is Miss Paton again, and...this is that the higher and more civilized classes * The traditional personage whom we call the Wandering Jew, the Germans call der ewige Jude, the eternal...
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The North American Review, Том 36

1833
...nor very far from the reach of Barclay, Perkins and Go's entire. Now let us hear the German Prince. ' The most striking thing to a 'foreigner in English...rarely visit their national theatre. Whether this be unfavorable or otherwise to the stage, I leave others to determine. ' English freedom here degenerates...
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The North American Review, Том 36

Jared Sparks, Edward Everett, Henry Cabot Lodge, James Russell Lowell - 1833
...Now let us hear the German Prince. ' The most striking thing to a foreigner in English theatres ia the unheard-of coarseness and brutality of the audiences....rarely visit their national theatre. Whether this be unfavorable or otherwise to the stage, I leave others to determine. ' English freedom here degenerates...
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The Trollopiad, Or, Travelling Gentlemen in America: A Satire

Frederick William Shelton - 1837 - 151 стор.
...the audience. The noises, too, were perpetual, and of the most unpleasant kind." Domestic Manners. "The most striking thing to a foreigner in English...Opera, and very rarely visit their national theatre. English freedom here degenerates into the rudest license, and it is not uncommon, in the midst of the...
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The German Drama in English on the Philadelphia Stage from 1794 to 1830

Charles Frederic Brede - 1918 - 295 стор.
...already referred to. Decorum and Manners. Dunlap cites a German prince's views on English theatres : "The most striking thing to a foreigner in English theatres is the unheard of coarseness and brutality of the audiences, such as shouts from the gallery, throwing things,...
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Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theater ...

Wendy Griswold - 1986 - 288 стор.
...theatres a century earlier. In 1826 an appalled German visitor summed up the prevailing atmosphere: "The most striking thing to a foreigner in English...opera, and very rarely visit their national theatre. English freedom here degenerates into the rudest license. . . ."13 Doldrums and the End of the Monopoly...
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Stage Blood: Vampires of the 19th Century Stage

Roxana Stuart - 1994 - 377 стор.
...Puckler-Muskau, a visitor to London in 1826, who was much struck by the crude behavior of the audience: The most striking thing to a foreigner in English...Opera, and very rarely visit their national theatre.... English freedom here degenerates into the rudest license, and it is not uncommon. ..to hear some coarse...
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Romantic and Revolutionary Theatre, 1789-1860

Donald Roy, Victor Emeljanow - 2003 - 558 стор.
...Pueckler-Muskau. A tour in England. Ireland and France (reprinted Zurich: Massie. 19401 ). pp. 49-50 The most striking thing to a foreigner in English...audiences. The consequence of this is that the higher and most civilized classes go only to the Italian Opera and very rarely visit their national theatre. Whether...
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