 | Samuel Johnson - 1779 - 302 стор.
...rough fatyrs and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there is no nature, for there is no truth;...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufling : whatever images it can fupply, are long ; ago exhaufted;... | |
 | Samuel Johnson - 1781 - 498 стор.
...rough fafyn and fauns icith c/oven heel. Where there is leifure for fiction there is little grief. In this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a pafroral, eafy, vulgar, and therefore difgufting: whatever images it can lupply, are long ago exhaufled... | |
 | Samuel Johnson - 1781 - 494 стор.
...rough fatyr$ and fauns ivith cloven heeL Where there is leifure for fi&ion there is little grief. Li this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting : whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson, John Hawkins - 1787 - 494 стор.
...of rough fatyn and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore ' difgufting ; whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson, John Hawkins - 1787 - 498 стор.
...cloven heel. Where there is leifure for fiction there is little grief. In this poem there is no nalkire, for there is no truth ; there is no art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting ; whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson - 1795 - 610 стор.
...rough fatyrs and fauns with cloven heel. Where there is leifure for fiction there is little grief. In this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral, eafy, vulgar, and therefore difgufting : whatever images it can fupply, are long ago exhaufted... | |
 | Samuel Johnson - 1800 - 714 стор.
...rough satyr* \fims-Mth cloven fuel. Where there is leisure for fiction there is little grief. luftts poem there is no nature, for there is no truth, there is no art, for there ing new. Its form is of that a of pastoral, easy, vulgar, and therrfore instating; whatever images... | |
 | Samuel Johnson - 1801 - 476 стор.
...rough fatyrs and fauns with cloven heel. Where there is leifure for fiction, there is little grief. In this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral; eafy, vulgar, and therefore difgufting ; whatever images it can fupply are long ago exhaufted... | |
 | Great Britain - 1804 - 716 стор.
...rough satyrs and_/azflw with cloven heel. Where there is leisure for fiction there is little grief. In this poem there is no nature, for there is no truth,...there is no art, for there is nothing new. Its form is of that a of pastoral, easy, vulgar, and therefore disgusting ; whatever images it can supply, are... | |
 | Samuel Johnson - 1806 - 482 стор.
...rough fatyrs and fauns with cloven heel. Where there is leifure for fiction, there is little grief. In this poem there is no nature, for there is no truth...art, for there is nothing new. Its form is that of a paftoral ; eafy, vulgar, and therefore di%ufting ; whatever images it can fuppty are are long ago cxhaufted... | |
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In this poem there is no nature, for there is no truth; there / is no art, for there is nothing new. Its form is that of a pastoral; easy, vulgar, and therefore disgusting, whatever images it can supply are long ago exhausted; and its inherent improbability... 
