El Signo Indiscreto de Finnegans WakeUniversal-Publishers, 1997 - 384 стор. The difference between "mass" and "mess," for example, says a lot about the distinctive capacity of phonemes and the alphabet, but very little about the many similarities in these two words. It follows that there is something not exactly alphabetical in language that is prompted by similarities like these. Even quotidian reading exhibits non-alphabetic ingredients, for instance when we skip spelling mistakes or typographical errors; i.e.: when we impose analogies over differences, hermeneutics over semiology, semasiography over the alphabet. Joyce, who once commented that "a few letters will do if you can't read a whole word," just incorporates another system of writing to his "cyclical history," very much in keeping with Vico's idea that each cycle has its own writing system. The incorporation of this non-alphabetic, semasiographic way of reading also explains the presence of allusions and opens up the apparent conflict between allusion and intentionality. How far can analogies go? or rather, can allusions and intentionality be reconciled? They both reveal the existence of coincidences (facilitated by the narrow range of the alphabet); some of them Joyce surely saw, many others produced by mere chance. Chance, then, is the realm that, far from making them opposite, reunite intentionality and allusion, for both depend on the previous existence of coincidences. In Finnegans Wake the search for coincidences marks the beginning of awakening. Using Joyce's additions to his drafts as orientation, particularly those that refer to the Egyptian Book of the Dead, it is possible to trace the resurrection process that Shaun undergoes. Shaun finds the keys to conventional language and to his awakening, like in the fairy tale, in an intentional act of love, in a kiss. |
З цієї книги
Результати 1-5 із 53
... sigue representando sonidos, pero la discreción no parece funcionar; el fonema no separa las palabras, no las constituye como unidades discretas. Al contrario, muestra las analogías entre ellas. La babelización de la palabra es parte ...
... de palabra , en Falk . Sobre sobredeterminación e indeterminación , ver Iser , The Act of Reading críticos como Samuel Levin , que sigue a Valèry , 49 . 45 45 causales, temporales, etc., de la organización sintáctica ...
Richardo N. Franco. críticos como Samuel Levin , que sigue a Valèry , es esencial para este procedimiento poético que la base material no desaparezca tras el significado . De esta forma entienden la " permanencia " del lenguaje poético ...
... sigue de su argumento, habría que decir que su concepción de escritura viene a ocupar el lugar que le correspondía de forma indefinida a la "idea;" y por eso lo que hay en la base de las palabras es escritura.73 El pensamiento de ...
... sigue siendo el 76 " In a certain sense , " dice en Of Grammatology , " thought ' means nothing . Like all openings , this index belongs within a past epoch by the face that is open to view . This thought has no weight . Thinking is ...
Зміст
Частина 16 | 196 |
Частина 17 | 198 |
Частина 18 | 217 |
Частина 19 | 234 |
Частина 20 | 253 |
Частина 21 | 276 |
Частина 22 | 296 |
Частина 23 | 308 |
75 | |
Частина 10 | 95 |
Частина 11 | 107 |
Частина 12 | 115 |
Частина 13 | 129 |
Частина 14 | 150 |
Частина 15 | 182 |
Частина 24 | 317 |
Частина 25 | 320 |
Частина 26 | 336 |
Частина 27 | 363 |
Частина 28 | 364 |