El Signo Indiscreto de Finnegans WakeUniversal-Publishers, 1997 - 384 стор. The difference between "mass" and "mess," for example, says a lot about the distinctive capacity of phonemes and the alphabet, but very little about the many similarities in these two words. It follows that there is something not exactly alphabetical in language that is prompted by similarities like these. Even quotidian reading exhibits non-alphabetic ingredients, for instance when we skip spelling mistakes or typographical errors; i.e.: when we impose analogies over differences, hermeneutics over semiology, semasiography over the alphabet. Joyce, who once commented that "a few letters will do if you can't read a whole word," just incorporates another system of writing to his "cyclical history," very much in keeping with Vico's idea that each cycle has its own writing system. The incorporation of this non-alphabetic, semasiographic way of reading also explains the presence of allusions and opens up the apparent conflict between allusion and intentionality. How far can analogies go? or rather, can allusions and intentionality be reconciled? They both reveal the existence of coincidences (facilitated by the narrow range of the alphabet); some of them Joyce surely saw, many others produced by mere chance. Chance, then, is the realm that, far from making them opposite, reunite intentionality and allusion, for both depend on the previous existence of coincidences. In Finnegans Wake the search for coincidences marks the beginning of awakening. Using Joyce's additions to his drafts as orientation, particularly those that refer to the Egyptian Book of the Dead, it is possible to trace the resurrection process that Shaun undergoes. Shaun finds the keys to conventional language and to his awakening, like in the fairy tale, in an intentional act of love, in a kiss. |
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... nombre "Joyce" ha producido más de 2.500 entradas en la bibliografía general de la "Modern Languages Association;" y el número es impreciso porque aumenta constantemente.1 En el mejor de los casos, se podría aspirar a conocer parte de ...
... nombre del autor: Atherton, The Books at the Wake; Eco, Obra abierta; Ellmann, James Joyce; Foucault, The Order of Things; Hayman, A First Draft Version of Finnegans Wake; McHugh, Annotations to Finnegans Wake (las páginas son las ...
... nombre no se menciona. Según Glasheen, se trataría quizás de Dan O'Brien(Devlin 186, nota 2). Las evidencias internas llevan a Devlin a entender la descripción de FW al revés, "not as the dream of the mythic figure who becomes ...
... nombre , sino un concepto y una imagen acústica . Esta última no es el sonido material , cosa puramente física , sino la psíquica de ese sonido , la representación que de él nos da el testimonio de nuestros sentidos ; esa representación ...
... nombre del parque de Dublín.38 Una vez reconocido lo que se pide de "riverrun," no es absurdo aceptar la posibilidad de esta asociación, precisamente porque es un fenómeno que ocurre ordinariamente. Para poner un ejemplo un tanto ...
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