El Signo Indiscreto de Finnegans WakeUniversal-Publishers, 1997 - 384 стор. The difference between "mass" and "mess," for example, says a lot about the distinctive capacity of phonemes and the alphabet, but very little about the many similarities in these two words. It follows that there is something not exactly alphabetical in language that is prompted by similarities like these. Even quotidian reading exhibits non-alphabetic ingredients, for instance when we skip spelling mistakes or typographical errors; i.e.: when we impose analogies over differences, hermeneutics over semiology, semasiography over the alphabet. Joyce, who once commented that "a few letters will do if you can't read a whole word," just incorporates another system of writing to his "cyclical history," very much in keeping with Vico's idea that each cycle has its own writing system. The incorporation of this non-alphabetic, semasiographic way of reading also explains the presence of allusions and opens up the apparent conflict between allusion and intentionality. How far can analogies go? or rather, can allusions and intentionality be reconciled? They both reveal the existence of coincidences (facilitated by the narrow range of the alphabet); some of them Joyce surely saw, many others produced by mere chance. Chance, then, is the realm that, far from making them opposite, reunite intentionality and allusion, for both depend on the previous existence of coincidences. In Finnegans Wake the search for coincidences marks the beginning of awakening. Using Joyce's additions to his drafts as orientation, particularly those that refer to the Egyptian Book of the Dead, it is possible to trace the resurrection process that Shaun undergoes. Shaun finds the keys to conventional language and to his awakening, like in the fairy tale, in an intentional act of love, in a kiss. |
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... base tradicional: Lo cual no impide que no haya en el fenómeno total un lazo entre estos dos factores antinómicos: la convención arbitraria, en virtud de la cual la elección es libre, y el tiempo, gracias al cual la elección se ...
... base material inestable ( letras que representan sonidos ) , un sonido verbal o imagen acústica , el correlato de ese sonido verbal , una idea particular , una idea general y un concepto ; a lo que hay que añadir el factor intencional ...
... base material : We may describe a word - sound as a sound configuration that carries meaning and imposes it on the phonic material in which it is concretized . Obviously , a word - sound cannot be equated with the concrete phonic ...
... base material en el proceso mental de significación es fundamental , no ya para FW , sino para distinguir entre lo consciente y lo inconsciente . Devlin recuerda que " [ a ] s Joyce may have learned from Freud , the crucial difference ...
... base material con un significado. No es sólo cuestión 33 Las explicaciones entre paréntesis están tomadas de Garavelli. 34 "This generalized equivocality of writing does not translate one language into another on the basis of common ...
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