already recorded, and with this event the genius of the place may be said to have deserted its hallowed retreats, for the mansion exists no longer. His surviving estimable widow, the Catharina of Cowper, resides at Northampton. Lady Hesketh, whose affectionate kindness to the poet must have endeared her to every reader, died in the year 1807, aged seventy four. To the Editor's brother-in-law, the Rev. Dr. Johnson, several testimonies have already been borne in the course of this work. He was cousin to the poet, by one remove, which was the reason why he was usually designated as Cowper's kinsman, his mother having been the daughter of the Rev. Roger Donne, rector of Catfield, Norfolk, own brother to Cowper's mother. His unremitting and watchful care over the poet, for several successive years, and during a period marked by a painful and protracted malady, his generous sacrifice of his time, and of every personal consideration, that he might administer to the peace and comfort of his afflicted friendhis affectionate sympathy, and uniform forgetfulness of self, in all the various relations of life--these virtues have justly claimed for Dr. Johnson the esteem and love of his friends, and the honorable distinction of being ever identified with the endeared name of Cowper. He was rector of the united parishes of Yaxham and Welborne, in the county of Norfolk, where he preached the doctrines of the Gospel with fidelity, and adorned them by the Christian tenor of his life and conduct. He married Miss Livius, daughter of the late George Livius, Esq., formerly at the head of the commissariat, in India, during the government of Warren Hastings. The Editor was connected with him by marrying the sister of Mrs. Johnson. He departed in the autumn of the year 1833, after a short illness, and was followed to the grave by a crowded assemblage of his parish ioners, to whom he was endeared by his virtues. He left his estimable widow and four surviving children to lament his loss. Cowper was engraved on his heart, and his Poems minutely impressed on his memory. Both, therefore, became a frequent theme of conversation; and it is to these sources of information, that the writer is indebted for the knowledge of many facts and incidents that are incorporated in the present edition. The value which Cowper attached to the esteem of the Rev. W. Bull, the friend and travelling companion of John Thornton, Esq., may be seen in the following letter. It alludes to the approbation expressed by Mr. Bull on the publication of his first volume of poems. TO THE REV. WILLIAM BULL. March 24, 1782. Your letter gave me great pleasure, both your regard. I wrote in hopes of pleasing as a testimony of your approbation and of confess that, at the same time, I cast a sideyou, and such as you; and though I must long glance at the good liking of the world at large, I believe I can say it was more for than their praise. They are children; if we the sake of their advantage and instruction give them physic, we must sweeten the rim of the cup with honey-if my book is so far honored as to be made the vehicle of true knowledge to any that are ignorant, I shall rejoice, and do already rejoice that it has procured me a proof of your esteem. Yours, most truly, W. C. Mr. Bull was distinguished by no common powers of mind, brilliant wit, and imagination. It was at his suggestion that Cowper engaged in translating the poems of Madame Guion. He died, as he lived, in the hopes and consolations of the Gospel, and left a son, the Rev. Thomas Bull, who inherits his father's virtues. Wherever men have acquired celebrity by those powers of genius with which Providence has seen fit to discriminate them, a curiosity prevails to learn all the minuter traits of person, habit, and real character. We wish to realize the portrait before our eyes, to see how far all the component parts are in harmony with each other; or whether the elevation of mind which raises them beyond the general standard is perceptible in the occurrences of common life. Tell me, said an inquirer, writing from America, what was the figure of Cowper, what the character of his countenance, the expression of his eye, his manner, his habits, the house he lived in, whether its aspect was north or south, &c. This is amusing, but it shows the power of sympathy with which we are drawn to whatever commands our admiration, and excites the emotions of esteem and love. The person and mind of Cowper seem to have been formed with equal kindness by nature: and it may be questioned if she ever bestowed on any man, with a fonder prodiglity, all the requisites to conciliate affection and o inspire respect. He is said to have been handsome in his you:h. His features strongly expressed the powers of his mind and all the sensibility of his heart and even in his declining years, time seemed to have spared much of its rav ages, though his mind was harassed by unceasing nervous excitement. He was of a middle stature, rather strong than delicate in the form of his limbs; the color of his hair was a light brown, that of his eyes a bluish grey, and his complexion ruddy. In his dress he was neat, but not finical; in his diet temperate, and not dainty. He had an air of pensive reserve in his deportment, and his extreme shyness sometimes produced in his manners an indescribable mixture of awkwardness and dignity; but no person could be more truly graceful, when he was in perfect health, and perfectly pleased with his society. Towards women, in particular, his behavior and conversation were delicate and fascinating in the highest degree. There was a simplicity of manner and character in Cowper which always charms, and is often the attribute of real genius. He was singularly calculated to excite emotions of esteem and love by those qualities that win confidence and inspire sympathy. In friendship he was uniformly faithful; and, if the events of life had not disappointed his fondest hopes, no man would have been more eminently adapted for the endearments of domestic life. His daily habits of study and exercise are so minutely and agreeably delineated in his letters, that they present a perfect portrait of his domestic character. His voice conspired with his features to announce to all who saw and heard him the extreme sensibility of his heart; and in reading aloud he furnished the chief delight of those social, enchanting winter evenings, which he has described so happily in the fourth book of "The Task." Secluded from the world as he had long been, he yet retained in advanced life singular talents for conversation; and his remarks were uniformly distinguished by mild and benevolent pleasantry, by a strain of delicate humor, varied by solid and serious good sense, and those united charms of a cultivated mind, which he has himself very happily described in drawing the character of a venerable friend: Grave without dullness, learned without pride. But the traits of his character are nowhere developed with happier effect than in his own writings, and especially in his poems. From these we shall make a few extracts, and sut fer him to draw the portrait for himself. I His admiration of the works of Nature: never fram'd a wish. or form'd a plan. That flatter'd me with hopes of earthly bliss But there I laid the scene. There early stray'd My fancy, ere yet liberty of choice Had found me, or the hope of being free, My very dreams were rural; rural too The first-born efforts of my youthful muse, Sportive and jingling her poetic bells, No bard could please me but whose lyre was Ere yet her car was mistress of their pow'rs. Task, book iv. Is an ingredient in the compound man, Book iv. But shows some touch in freckle, streak, or stain, tun'd To Nature's praises. His fondness for retirement: And silent woods I wander. far from those Since then, with few associates, in remote My former partners of the peopled scene; With few associates, and not wishing more. Here much I ruminate, as much I may, With other views of men and manners now Than once. and others of a life to come. I see that all are wand'rers, gone astray, Each in his own delusions; they are lost In chase of fancied happiness, still woo'd And never won. Dream after dream ensues; And still they dream that they shall still succeed And still are disappointed. Rings the world With the vain stir. I sum up half mankind, And add two-thirds of the remaining half, And find the total of their hopes and fears Dreams, empty dreams. Book iii. His love for his country: England, with all thy faults I love thee stillMy country! and, while yet a nook is left, Where English minds and manners may be found, Book ii. His humane and generous feelings: Book iii. "Tis liberty alone, that gives the flow'r Of fleeting life its lustre and perfume; And we are weeds without it. Task, book v. His depressive malady, and the source of rts cure: His love of liberty: Oh Liberty! the prisoner's pleasing dream, The following portrait of Lord Chatham Table Talk. I was a stricken deer, that left the herd Book iii. Me therefore studious of laborious ease, Book iii. The Saviour. But all is in his hand, whose praise I seek. Book vi. The office of doing justice to the poetica. genius of Cowper has been assigned to an individual so well qualified to execute it with taste and ability, that the Editor begs thus publicly to record his acknowledgments and his unmingled satisfaction. The bowers of the muses are not unknown to the Rev. John Cunningham, and, in contemplating the poetical labors of others, he might, with a small variation, justly apply to himself the wellknown exclamation, "Ed anch'io son pittore."* All, therefore, that seems necessary, is simply to illustrate the beauties of Cowper's poetry in the same manner as we have exhibited his personal character. We shall present a brief series of poetical portraits. Bacon there The employment of his time, and design Gives more than female beauty to a stone, of his life and writings: And Chatham's eloquence to marble lips.† In him Demosthenes was heard again; Sir Joshua Reynolds: There, touch'd by Reynolds, a dull blank becomes Bacon the sculptor: John Thornton, Esq.: Some men make gain a fountain, whence proceeds * Attributed to Correggio, after contemplating the works of Raphael. † Alluding to the monument of Lord Chatham, in West minster Abbey. God's gift with pleasure in his praise employ, And Thornton is familiar with the joy. Charity. The martyrs of the Reformation: Their blood is shed In confirmation of the noblest claim, Our claim to feed upon immortal truth, To walk with God. to be divinely free, To soar and to anticipate the skies. Yet few remember them. They liv'd unknown, Till persecution dragg'd them into fame, And chas'd them up to heav'n. Their ashes flew -No marble tells us whither. With their names No bard embalms and sanctifies his song: And history, so warm on meaner themes, Is cold on this. She execrates indeed The tyranny that doom'd them to the fire, But gives the glorious suff'rers little praise. Task, book v. Bunyan's Pilgrim's Progress: O thou, whom, borne on fancy's eager wing May teach the gayest, make the gravest smile; Brown, the rural designer :* Lo! he comes Th' omnipotent magician, Brown, appears. London: Oh! thou resort and mart of all the earth, Chequer'd with all complexions of mankind, And spotted with all crimes; in whom I see Much, that I love and much that I admire, *Brown, in Cowper's time, was the great designer in the art of laying out grounds for the nobility and gentry. And all that I abhor; thou freckled fair, THE CONTRAST. Where finds Philosophy her eagle eye, The gin-palace: Behold the schools, in which plebeian minds, That, like the filth with which the peasant feeds throats; Ye all can swallow, and she asks no more. How sweet, how passing sweet, is solitude! Not to understand a treasure's worth Not a year but pilfers as he goes Some youthful grace, that age would gladly keep When one that holds communion with the skies Has fill'd his urn where these pure waters rise, And once more mingles with us meaner things, 'Tis even as if an angel shook his wings; Immortal fragrance fills the circuit wide. That tells us whence his treasures are supplied. We must not omit a most splendid specimen of Cowper's poetic genius, entitled the "Yardley Oak." It is an unfinished poem, and supposed to have been written in the year 1791, and laid aside, without ever having been resumed, when his attention was engrossed with the edition of Milton. Whatever may be the history of this admirable fragment, it has justly acquired for Cowper the reputation of having produced one of the richest and most highly finished pieces of versification that ever flowed from the pen of a poet. Its existence even was unknown both to Dr. Johnson and Hayley, till the latter discovered it buried in a mass of papers. We subjoin in a note a letter addressed by Dr. Johnson to Hayley, containing further particulars.* among Though this fragment is inserted the poems, we extract the following passages, as expressive of the vigor and inspiration of true poetic genius. Thou wast a bauble once, a cup and ball As to Yardley Oak, it stands in Yardley Chase, where the Earls of Northampton have a fine seat. It was a favorite walk of our dear Cowper, and he once carried me to see that oak. I believe it is five miles at least from Weston Lodge. It is indeed a noble tree, perfectly sound, and stands in an open part of the Chase, with only one or two others near it, so as to be seen to advantage. "With respect to the oak at Yardley Lodge, that is quite in decay-a pollard, and almost hollow. I took an excrescence from it in the year 1791, and if I mistake not, Cowper told me it is said to have been an oak in the time of the Conqueror. This latter oak is on the road to the former, but not above half so far from Weston Lodge, being only just beyond Killick and Dinglederry. This is all I can tell you about the oaks. They were old acquaintances, and great favorites of the bard. How rejoiced I am to hear that he has immortalized one of them in blank verse! Where could those one hundred and sixty-one lines lie hid? Till this very day I never heard their existence, nor suspected it." No flock frequents thee now. ular favor, it is pleasing to reflect on the With these acknowledged claims to popsingular moderation of Cowper amidst the snares of literary fame. His motives seem to have been pure and simple, and his main design to elevate the character of the age, and to glorify God. He was not insensible to the value of applause, when conferred by a liberal and powerful mind, but even in this instance it was a subdued and chastened feeling. A more pleasing evidence could not be visits to Weston, brought a recent newspaadduced than when Hayley, in one of his per containing a speech of Mr. Fox, in which that distinguished orator had quoted the following impressive verses on the Bastille, in the House of Commons. Ye horrid tow'rs, the abode of broken hearts: Mrs. Unwin discovered marks of vivid satisfaction, Cowper smiled, and was silent. The late Samuel Whitbread, Esq., was an enthusiastic admirer of the poetry of Cowper, and solicitous to obtain a relic of the Yardley Oak. Mr Bull, of Newport Pagnel, promised to send a specimen, but some little delay having occurred. Mr. Whitbread addressed to him the following verses, which, emanating from such a man, and not having met the public eye, will, we are persuaded, be considered as a literary curiosity, and of no mean merit. "Send me the precious bit of oak, Nor worth the keeping.-Those who love †These lines were written prophetically, and previ ously to the event. The late Lord Erskine was a frequent reciter of pas |