The Poems of John Keats, Том 2Dodd, Mead, 1905 - 614 стор. |
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Сторінка ix
... criticism , and upon the gradual growth , as it were , of a work of art to the form in which the artist thought fit to give it to the world . However , the first version of the Ode to a Nightingale , which has come to light since the ...
... criticism , and upon the gradual growth , as it were , of a work of art to the form in which the artist thought fit to give it to the world . However , the first version of the Ode to a Nightingale , which has come to light since the ...
Сторінка x
... critics of Keats , judged as a whole , have amply atoned for the delinquencies of their earliest predecessors , and a poet who has formed the study , to mention no others , of Charles Cowden Clarke , Leigh Hunt , Lord Houghton , Mrs ...
... critics of Keats , judged as a whole , have amply atoned for the delinquencies of their earliest predecessors , and a poet who has formed the study , to mention no others , of Charles Cowden Clarke , Leigh Hunt , Lord Houghton , Mrs ...
Сторінка xix
... criticism , nor the thraldom of unsatis- fying love , nor the haunting presence of hereditary disease could check the ripening of his poetic powers until , a year before his actual death , mortality had set her cold finger upon him ...
... criticism , nor the thraldom of unsatis- fying love , nor the haunting presence of hereditary disease could check the ripening of his poetic powers until , a year before his actual death , mortality had set her cold finger upon him ...
Сторінка xxiv
... criticism on the claims of his poetic contemporaries to fame , adding a com- mentary more important than the text , and an introduction , in which he expressed his intention of reducing to practice his own conceptions as to the proper ...
... criticism on the claims of his poetic contemporaries to fame , adding a com- mentary more important than the text , and an introduction , in which he expressed his intention of reducing to practice his own conceptions as to the proper ...
Сторінка xxxii
... Criticism , with its eye fixed on the development of style , has often failed to realise the deeper influences at work upon his mind of which , after all , his style is only the expression . Yet it is no insignificant fact that his ...
... Criticism , with its eye fixed on the development of style , has often failed to realise the deeper influences at work upon his mind of which , after all , his style is only the expression . Yet it is no insignificant fact that his ...
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Albert Apollo Auranthe beauty bliss breath bright clouds Conrad dark death deep delight dost doth dream earth Elgin Marbles Enceladus Endymion Erminia Ethelbert eyes Faerie Queene fair Fall of Hyperion feel flowers Forman gentle George Keats Gersa Glocester golden green hand happy hast hath head heart heaven hour Hunt Hyperion John Keats Keats Keats's kiss lady Lamia Leigh Hunt light lines lips look Ludolph Lycius melody Milton moon morning mortal never night numbers o'er Otho Ovid pain pale Paradise Lost passage passion poem poet Saturn seem'd shade sigh Sigifred silent silver Sleep and Poetry smile soft song sonnet sorrow soul Spenser spirit stars stood story sweet tears tell thee thine things thou art thought trees trembling twas voice weep wild wind wings wonder Woodhouse words Wordsworth young ΙΟ
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Сторінка 191 - Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return.
Сторінка xxxv - I am certain of nothing but of the holiness of the Heart's affections and the truth of Imagination— What the imagination seizes as Beauty must be truth— whether it existed before or not...
Сторінка 473 - What things have we seen Done at the Mermaid! heard words that have been So nimble and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest And had resolved to live a fool the rest Of his dull life!
Сторінка 201 - To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel...
Сторінка 191 - O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty," — that is all Ye know on earth, and all ye need to know.
Сторінка 34 - Homer ruled as his demesne : Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He...
Сторінка 190 - THOU still unravish'd bride of quietness, Thou foster-child of silence and slow- time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady?
Сторінка 187 - MY heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk...
Сторінка 201 - Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music, too, While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue...
Сторінка 185 - Tis dark: quick pattereth the flaw-blown sleet: " This is no dream, my bride, my Madeline ! " 'Tis dark: the iced gusts still rave and beat: " No dream, alas ! alas ! and woe is mine ! Porphyro will leave me here to fade and pine. — Cruel! what traitor could thee hither bring? I curse not, for my heart is lost in thine, Though thou forsakest a deceived thing — A dove forlorn and lost with sick unpruned wing.