There is a charm in footing slow across a silent plain

98

436

Think not of it, sweet one, so

358

558

This living hand, now warm and capable

This mortal body of a thousand days

This pleasant tale is like a little copse

283

547

Thou still unravish'd bride of quietness

Thrush, What the, said.

476

Thus in alternate uproar and sad peace.

Time's sea hath been five years at its slow ebb

512

'Tis the witching hour of night

To **** (Georgiana Augusta Wylie)

536

16

To ******.

392

Sonnet

31

396

Vauxhall, To a Lady seen for a few moments at. Sonnet

What the Thrush said. Lines from a letter to John Hamilton

403

Reynolds.

What though, for showing truth to flatter'd state

258

533

What though while the wonders of nature exploring

When by my solitary hearth I sit

When I have fears that I may cease to be

When they were come into the Faery's Court

When wedding fiddles are a-playing

Where be ye going, you Devon maid?

Where is my noble herald?

Where's the Poet? show him! show him

Where-where-where shall I find a messenger
Who loves to peer up at the morning sun
Who, who from Dian's feast would be away?
Why did I laugh to-night? No voice will tell
Woman! when I behold thee flippant, vain.

Written on a Blank Page in Shakespeare's Poems, facing “A
Lover's Complaint". Sonnet

You have my secret; let it not be breath'd
Young Calidore is paddling o'er the lake.

Written on the day that Mr. Leigh Hunt left Prison. Sonnet

32

396

288

551

282

547

GENERAL INDEX

Annals of the Fine Arts, 476.
Arabian Nights, The, 424, 507.

Ariosto, xxvi, lviii.

Arnold (Matthew), his criticism of Keats's sensuousness discussed, xxxvii, xxxviii.
Arnold (W. T.), [Poems of Keats (1883)], misjudges Keats, 437, 441; on Keats's
use of Lemprière, 499; work on Keats's vocabulary, 570, 571, 573-6, 579-
82.

Apollonius Rhodius, Argonautica, 423.

Auctores Mythographi Latini, vide Hyginus.

Bacchus and Ariadne, vide Titian.

Bailey (Benjamin), entertains Keats at Oxford, 566; interests him in Words-
worth, xxxviii; in Milton, 437, 489; in Dante, 436; his criticism of Endymion,
413; Letters to, xxxviii, 394, 412, 455, 485, 489, 533, 545, 558.

Beattie, xxiii.

Beaumont (Francis), Letter to Ben Jonson, 481.

Beaumont and Fletcher, vide Fletcher.

Beauty, Keats's passion for, 419, 473; its relation with Truth, xxxiv, xxxvii, 195;

to be found in the world, lviii; its immortality in art, 476; cf. also 53, 206,

etc.

Bible, Keats's use of, 408, 436, 452, 462, 520, 521, 524.

Blackwood's Magazine, 412, 413.

Blake (William), Keats's debt to, 534.

Boccaccio, liv, 168; his Decameron the source of Isabella, 460.

Boileau, his Art of Poetry, 408.

Brawne (Fanny), described by Keats, 530; poems written to, 251-4, 287; Keats's
relations with, 530-2; cf. also Chronological Table, 567.

Bridges (Mr. Robert), interpretation of Sleep and Poetry, 406; on Ode to a
Nightingale, 475; on influence of Dante, 516; on Miltonism of Hyperion,
519; on Keats's vocabulary, 573, 576, 577; cf. also 397, 438, 544, etc.
Brown (Charles Armitage), xxii, lxii, 559, 566, 567; Letters to, 414, 452; Spen-
serian Stanzas on, 361; on composition of Ode to a Nightingale, 472; and
of Hyperion, 484; on remodelling of Hyperion, 515; on Otho, 551; on King
Stephen, 555.

Browne (William of Tavistock), general influence upon Keats, xxiii, xxix, xlviii,
394 on Keats's vocabulary, 579; cf. also 571 and Glossary; Britannia's
Pastorals, 394, 396, 420, 470, 473, 527.

Browning (Robert), 463, 534.

Burns (Robert), 395, 546, 547.

Burton, Anatomy of Melancholie source of Lamia, xlvi, 163, 453; suggests the Eve
of St. Agnes (?), 465; cf. 455, 465, 478, 482, 531.

Byron (Lord), criticises Keats, 403, 493, 494; Keats's criticisms of, 347, 409; cf.
also xxiii, 413, 460, 539, 553, 559, 561.

Campbell (Thomas), The Soldier's Dream, 435; The Rainbow, 459.

Cary, vide Dante.

Chalmers, English Poets, 423, 485, 526.
Chamberlayne, Pharonnida, 415.

Chapman (George), general influence upon Keats, xxiii, xxix, xlv, xlvi, 36, 398,
399; upon Keats's vocabulary and style, 577-9; cf. also 571, 580 and Glossary,
585-600; his Homer's Iliad, 485, 495, 499, 555; as a source for Hyperion, xlvi;
his Odyssey, 394, 409, 440; Hymn to Apollo, 434, 518; Hymn to Pan, 420,
426; The Works and Days of Hesiod, 485, 499.

Chatterton (Thomas), xix, xxiii, li, lv, 395, 408, 419, 451, 526, 556; Endymion
dedicated to, 417; Ella, 535; Excellent Ballad of Charitie, 465, 495; in-
fluence upon Keats's vocabulary, 584; cf. also 571, 580-4 and Glossary.
Chaucer, xxiv, 56, 274, 409, 463, 469, 570, 571, 575, 583; The Canterbury Tales,
versification of, 575; Troilus and Cresseyde, 429; The Flowre and the Leafe
(pseudo-Chaucerian), 389, 405, 540, 583; cf. also Glossary.

Clarke (Charles Cowden), Epistle to, 27-30; influence on Keats, ib., xxi-xxiii,
395; his Recollections of Writers, etc., the source of much information upon
Keats, 387, 388, 392, 397, 398, 402, 441, 448, 470, 540; cf. also 564, 565,
568, 569.

Classics, vide Greek.

Claude, Enchanted Castle, 475, 537.

Coleridge (Samuel Taylor), Ancient Mariner, 447; Ballad of Dark Ladye, ib.;
Christabel, 409, 467, 469, 526; Essays on the Fine Arts, position therein
compared with Keats's in I Stood Tip-toe, 389; Lectures on Shakespeare,
424; The Nightingale, 438, 461, 474; cf. also 527, 572, 576.

Collins (William), lx, 478, 576; How sleep the brave, 452; Ode to Evening, 583;
influence on Keats's vocabulary, 583, 584; cf. also Glossary.

Colvin (Mr. Sidney), debt of present editor to, x; his Life of Keats (English Men
of Letters Series) and Letters of John Keats quoted passim; A Morning's
Work in a Hampstead Garden, 473; on sources of Endymion, 415, 416, 420;
and of Hyperion, 485; criticisms of Lamia, xlii, 459; İsabella, 463; Ode to
a Nightingale, 475; Eve of St. Mark, 526; etc.

Cortez, 36; substituted by Keats for Balboa, 399; Titian's portrait of, ib.
Courthope (Mr. W. J.), attack on Keats in Liberal Movement in English Litera-
ture, 429.

Cowper (William), On the Receipt of My Mother's Picture, 395-

Crewe (Lord), discovery of MS. of Fall of Hyperion and other poems, xi, 515.
Criticism, attitude of Keats to, 413, 414, 418, 419; Keats's powers of, ix, xxxi,
396, 454, 461, etc., etc.

Dante, Keats's interest in, aroused by Bailey, 436, 445; Cary's translation of,
445, 465, 466, 550, 567; influence of, on Fall of Hyperion, 516.

Defoe, 580.

Dilke (C. Wentworth), 565; Letter to, 448; his view of America contested by
Keats, 536.

Drama, Keats's desire to excel in, lviii; possibilities of his ultimate success in,
lix; cf. also 551, 552, 554, 555.

Drayton (Michael), Man in the Moon, its influence on Endymion, 415, 416, 420.
Drummond (of Hawthornden), 414, 415, 441.

Dryden (John), Annus Mirabilis, 462; influence of The Fables upon Lamia,

lii, liii, 453.

Dunlop, History of Fiction, 468.

Edinburgh Review, 412, 453, 493.

Elgin Marbles, xliii, lviii, 274, 275, 400, 410, 422, 476, 540.

Elizabethans, Keats's affinity with, xlv-xlvii; his debt to, notes, passim.

Emotion, its antagonism with Reason, xxxvii, xli, xlii, 459, 533, 538, 539; the guide
to Truth, xxxvii.

Endymion, original title of I Stood Tip-toe, 388.

Endymion, a Poetical Romance, Preface, 51; Rejected Preface and Dedication,
417; critical introduction to, 410, 419; its sources, 414-6; its style and
versification, 411; criticisms of, 412, 413; Keats's views of, 413, 414; signi-
ficance of the allegory, xl, 428, 443, 448.

Examiner, The (ed. by Leigh Hunt), 390, 395, 403, 413, 540; influence on
Keats, xxiii.

Fall of Hyperion, The, a Vision, allegory of, 516; attempt to eliminate Miltonisms
from, 519; newly discovered passage in, 518; changes from Hyperion, 520-4;
its place in the development of Keats's theories of life and poetry, xli, 516-9.
Fletcher, xxiii, 456, 479; Fair Maid of the Inn, 481; Faithful Shepherdess, 390,
394, 415, 420, 450, 479; Humourous Lieutenant, 441; Maid's Tragedy, 415,
440; Philaster, 396.

Forman (Mr. H. Buxton, C.B.), debt of present editor to, x; his edition of the
Works of Keats (5 vols., 1900-01) quoted passim; his valuable work upon
the text of Keats referred to, ix.

Frere (Hookham), The Monks and the Giants, xxvi, 460.

Gem, The, a Literary Annual, ed. by T. Hood, 540.

Glaucus, episode of, its significance in the allegory of Endymion, xl, 428.
Gray, Letters of, 497; Odes of, lx, 478; Progress of Poesy, 445.

Greek myth and legend, Keats's early love for, xxi; his debt to the Elizabethans
rather than to Lemprière, xliv-xlvi, and cf. notes, passim; his appreciation of
Elgin Marbles, xliii, etc.; his association of Nature with, xliii, xlv, 390, 529;
his sympathy with the spirit of, xliii, etc.; his divergence from the spirit of,
xliv, xlvi, 1, etc.; Shelley on Keats's attitude to, xliv; Wordsworth helps him
to understanding of, 390, 475.

Haydon (Benjamin Robert), 399, 565, 566; Autobiography (ed. by T. Taylor),
lxiii, 458, 535, 557; its slanders on Keats, 401; his influence on Endymion,
412; he interprets to Keats the Elgin Marbles, xliii; Letters to, xxxiv,
xxxviii, 402, 411, 431, 540.

Hazlitt (William), xxxiv, 397, 565, 566; admiration of Keats for, 431; Keats
attends his lectures, 566; On a Landscape of N. Poussin, 430; On Gusto,

539.

Heroic couplet, the, Hunt's views of, xxiv; Keats's early use of, xxix, 394, 405;
in Endymion, 411; in Lamia, 453.

Hesiod, Theogony, 485, 499, 506-8; Works and Days, vide Chapman.

Hessey (James Augustus), Letter to, on Endymion, 413.

Homer, vide Chapman.

Hood (Thomas), The Gem, a Literary Annual, 540; Hood's Magazine, 535, 544.
Hoops (Professor J.), Keats's Jugend und Jugendgedichte, 568, '569; edition of
Hyperion, 571.

Houghton (Lord) (R. Monckton Milnes), Life, Letters and Literary Remains of
Keats quoted in notes, passim; his mistake as to the sources of Keats's
vocabulary, 570.

Humanity, growing feeling for, in the poetry of Keats, xxxix-xli, lviii, 407, 423,
444, 513, 517, 519.

Hunt (James Henry Leigh), 564-7; date of Keats's first meeting with, 568;
dedication of 1817 volume to, 2, 387; influence on the mind and art of
Keats, xxiii-xxx, xxxix; influence on his vocabulary, 576, 577; association with
Spenser in mind of Keats, xxiv, 395; Keats has "something in common
with," 418; called Libertas, 395; criticism of Wordsworth, xxv; of the 1817
volume, 390, 403; of Endymion, 412; of Lamia, etc., 453; of Hyperion,
493, 512; his Examiner, q.v.; Feast of the Poets, xxiv, 392; Literary Pocket
Book, 545, 547, 561; Sonnet on Nile, 543; Story of Rimini, xxiv, 391, 394,
427; cf. also 397, 400, 402, 410, 413, 465.

Hyginus, Keats's use of, 450, 506.

Hyperion, general introduction to, 484-94; date of composition, 484; newly
discovered autograph MS. of, 494; criticisms of, 493, 494: Miltonism of,
489-93; original design of, 486; how far adhered to, 487, 488; relation with
the Fall of Hyperion, 515; significance of, in development of Keats's mind
and art, xli; sources of, xivi, 485.

Imagination, Keats's views of the, xxxvii.

Indicator, The, poems of Keats published in, 526, 549, 561; Lamia, Hyperion,
etc., reviewed by Hunt in, 453, 493, 512.

Jeffrey, his criticism of Keats, 412, 453, 493.
Jeffrey (Miss), Letter to, 530.

Johnson (Samuel), xlvii.

Jonson (Ben), xlvii, 420; Epithalamion, 449; Hymn to Diana, 449; The Satyr,
465; cf. also Glossary.

Keats (Fanny), 565; Letters to, 411, 551.

Keats (George), 387, 564-7; Epistle to, 24; Sonnet to, 31; Letters to, xxxiv,
409, 411, 453, 477; Journal Letters to and Georgiana Keats, xxxvi,

xxxvii, 479, 481, 525, 526, 528, 536, 539, 549, 552.

Keats (Georgiana née Wylie), 392, 564, 566; Poems to, 16, 33; Letters to, vide
Keats (George).

Keats (John), vide Chronological Table, 564-9.

Keats (Thomas), 512, 547, 564-6; Sonnet to, 34; Letters to, 479, 498, 505, 535,

Lamb (Charles), at Haydon's dinner party, 458, 566; criticism of Isabella, 463;
of Lamia, 456, 463; of the Eve of St. Agnes, 469; Essays of Elia, 447.
Lamia, Isabella, The Eve of St. Agnes and other Poems, 1820, its character and
reception, 452, 453; Keats on, 452.

Landor (Walter Savage), Gebir, 496, 514; on Koskiusko, 403.

Lemprière, Classical Dictionary, Keats's early reading of, xxi; limited extent of
its influence upon Keats, xliv, 499; cf. also 390, 423, 424, 447, 485, 486, 506.
Love, treatment of, in Keats's early poetry, 391, 393; influenced by the associa-
tion in his mind of Spenser and Leigh Hunt, xxvii-xxix; later development
of Keats, liv-lvii.

Lyly, Endimion, 414.

Manchester Quarterly, The (1883), article by G. Milner, On some Marginalia
made by D. G. Rossetti in a copy of Keats's Poems, vide Rossetti.

Marlowe (Christopher), Hero and Leander, 437.

Marston (John), The Fawn, 418; Antonio and Mellida, 422.

Massinger (Philip), 590, 595.

Mathew (George Felton), 22, 394, 395.

Mediævalism, Keats's affinity with the spirit of, lv-lviii, 469, 526, 527.

Meredith (George), 475.

Milner (George), On some Marginalia made by D. G. Rossetti in a copy of
Keats's Poems, vide Rossetti.

Milnes (R. Monckton), vide Houghton.

Milton (John), early influence upon Keats, xxiii; influence upon Hyperion, xlvi, l,
489-93; influence on Keats's style and vocabulary, 574, 576, 580, 582, 584;
cf. also Glossary, 585-600; Keats's criticisms of, li; his enthusiasm for, 489;
his Notes on, 455, 497, 503, 512, 546; Comus, 401, 405, 429, 432, 435,
440, 446, 448, 456, 471, 493, 535, 552, 554, 555; Death of a Fair Infant,
474; Il Penseroso, 429, 433, 437, 457, 482, 520; L'Allegro, 390, 395, 437,
448, 457, 479, 556; Lycidas, 388, 397, 402, 422, 433, 435, 439, 446, 478,
493, 512, 536, 570; Ode on the Nativity, 446, 451, 478; Paradise Lost,
393, 398, 403, 431, 434-40, 448, 449, 455-7, 467, 471, 485, 488-512, 520,
521, 524, 533, 539, 554, 556, 560; Paradise Regained, 433, 451, 511, 561;
Samson Agonistes, 492; Sonnets, 557; cf. also, 453, 458.