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With ardor to enjoy thee, fairer now

Than ever, bounty of this virtuous tree.
So faid he, and forbore not glance or toy
Of amorous intent, well understood
Of Eve, whose eye darted contagious fire.

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Her hand he feis'd, and to a fhady bank,

Thick overhead with verdant roof imbowr'd,

He led her nothing loath; flow'rs were the couch,
Panfies, and violets, and afphodel,

And hyacinth, earth's fresheft fofteft lap.
There they their fill of love and love's disport

the moft remarkable paffages which look like parallels in these two great authors. I might, in the courfe of these criticisms, have taken notice of many particular lines and expreffions which are tranflated from the Greek poet; but as I thought this would have appeared too minute and over-curious, I have purposely omitted them. The greater incidents, however, are not only fet off by being fhown in the fame light with feveral of the fame nature in Homer, but by that means may be alfo guarded against the cavils of the taftelefs or ignorant. Addifon. Our author had in mind the converfation between Paris and Helen in the third Iliad, as well as that between Jupiter and Juno on mount Ida. And as Mr. Pope obferves, it is with wonderful judgment and deency that Milton has used that ex

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Took

ceptionable paffage of the dalliance, ardor, and enjoyment of Jupiter and Juno. That which feems in Homer an impious fiction, becomes a moral leffon in Milton; fince he makes that lafcivious rage of the paffion the immediate effect of the fin of our firft parents after the fall.

1034. So faid he, and forbore not

glance or toy &c.] What a fine contraft does this description of the amorous follies of our firft parents after the fall make to that lovely picture of the fame paffion in its ftate of innocence in the preceding book ver. 510.

To the nuptial bower I led her blushing like the morn: all Heaven, And happy constellations &c!

Thyer. 1049.-and

Took largely, of their mutual guilt the feal,

The folace of their fin, till dewy fleep

Opprefs'd them, wearied with their amorous play.
Soon as the force of that fallacious fruit,

That with exhilerating vapor bland

· 1046

About their spirits had play'd, and inmost powers
Made err, was now exhal'd; and groffer fleep
Bred of unkindly fumes, with conscious dreams 1050
Incumber'd, now had left them; up they rofe
As from unreft, and each the other viewing,
Soon found their eyes how open'd, and their minds
How darken'd; innocence, that as a veil
Had fhadow'd them from knowing ill, was gone,

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Juft

And then follows be cover'd, for fhame (as Dr. Pearce obferves) is here made a perfon (as again in ver. 1097.) and this fhame is be who cover'd Adam and Eve with his robe; but this robe of his uncover'd them more: that is, tho' they were clothed with shame, yet they thereby more

The fleep of fin is nothing like the discover'd their nakednefs. Milton fleep of innocence.

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fpeaks in the fame manner in Samfon Agon. 841, 842.

In vain thou ftriv'ft to cover shame with fhame,

For by evafions thy crime unco

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uft confidence, and native righteousness,
And honor from about them, naked left
To guilty fhame; he cover'd, but his robe
Jncover'd more. So rofe the Danite strong
Herculean Samfon from the harlot-lap

Of Philiftéan Dalilah, and wak'd

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horn of his strength, They destitute and bare
Of all their virtue: filent, and in face
Confounded long they fat, as ftrucken mute,
Till Adam, though not less than Eve abash'd, 1065
At length gave utterance to these words constrain'd.
O Eve, in evil hour thou didst give ear
To that false worm, of whomfoever taught

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words tranflated, fo it concludes exactly after the fame manner in a quarrel. Adam awakes much in the fame humor as Jupiter, and their cafes are fomewhat parallel; they are both overcome by their fondels to their wives, and are fenfible of their error too late, and then their love turns to resentment, and they grow angry with their wives, when they fhould rather have been angry with themselves for their weakness in hearkening to them.

1068. To that falfe vorm,] That is ferpent. This is a general name for the reptil kind; as in VII. 476. And thus a ferpent is call'd in Shakefpear the mortal worm, z Hen. VI. А& III,

1084 O

To counterfeit Man's voice, true in our fall,
Falfe in our promis'd rifing; fince our eyes 1070
Open'd we find indeed, and find we know
Both good and ev'il, good loft, and evil got,
Bad fruit of knowledge, if this be to know,
Which leaves us naked thus, of honour void,
Of innocence, of faith, of purity,

Our wonted ornaments now foil'd and ftain'd,
And in our faces evident the figns

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1080

Of foul concupifcence; whence evil store;
Ev'n fhame, the last of evils; of the first
Be fure then. How fhall I behold the face
Henceforth of God or Angel, erft with joy
And rapture fo' oft beheld? thofe heav'nly fhapes
Will dazle now this earthly with their blaze
Infufferably bright. O might I here

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in folitude live favage, in fome glade
Obfcur'd, where highest woods impenetrable
To ftar or fun-light, fpread their umbrage broad
And brown as evening: Cover me ye Pines,
Ye Cedars, with innumerable boughs

Hide me, where I

where I may never see them more. 1090 But let us now, as in bad plight, devise What best may for the present serve to hide The parts of each from other, that seem most To shame obnoxious, and unfeemliest seen; Some tree, whose broad smooth leaves together fow'd, And girded on our loins, may cover round

1096 Those middle parts, that this new comer, shame, There fit not, and reproach us as unclean.

So counsel'd he, and both together went

Into the thickest wood; there foon they chose 1100

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