Infirm Glory: Shakespeare and the Renaissance Image of Man

accepted achievement action Agrippa Antony appears assertion authority basic becomes body character Christian comes common complex concept consider course created death define direct divine doctrine doubt earlier edited elements entirely evil existence experience expression external fact faculties faith Fall Faustus final follow force Frame grace Hamlet honour human ideal important impossible individual intellectual King knowledge later leads Lear learning least less limits Macbeth man's material matter means Measure merely mind Montaigne moral nature never once paradox perfection perhaps philosophic play poem possible present provides purely question reality realize reason Renaissance Scepticism seems sense Shakespeare shows simple soul speech spirit stand studies suffering suggest things thou thought traditional translated true truth turn understanding universe valid values virtue weakness