Oral English: Or, The Art of SpeakingD. C. Heath, 1916 - 361 стор. |
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... tone . Since ease and power in the use of the voice and body cannot be gained except by patient and diligent practice , it is well for the student to learn at the outset the principles which govern good delivery and to strive to apply ...
... tone . Since ease and power in the use of the voice and body cannot be gained except by patient and diligent practice , it is well for the student to learn at the outset the principles which govern good delivery and to strive to apply ...
Сторінка 9
... tone so created is set free in the pipe , where it resounds and grows louder before it is permitted to reach the outer air . The lungs may be compared to the wind - chest , the vocal cords to the reed , or the edges of the elastic plate ...
... tone so created is set free in the pipe , where it resounds and grows louder before it is permitted to reach the outer air . The lungs may be compared to the wind - chest , the vocal cords to the reed , or the edges of the elastic plate ...
Сторінка 9
... tone conditions . Control of the Breath . In the first place , we must learn to control the breath , or , in other words , to manage the wind - chest . The primary requisite for a good tone is a sufficient supply of air . The power to ...
... tone conditions . Control of the Breath . In the first place , we must learn to control the breath , or , in other words , to manage the wind - chest . The primary requisite for a good tone is a sufficient supply of air . The power to ...
Сторінка 9
... tone , " as distinguished from a " breathy " voice . The Open Tone Passage . — In the second place , we must learn to open and relax the tone passage in such a way that the tones produced by the passage of the air over the vocal cords ...
... tone , " as distinguished from a " breathy " voice . The Open Tone Passage . — In the second place , we must learn to open and relax the tone passage in such a way that the tones produced by the passage of the air over the vocal cords ...
Сторінка 10
... tone conditions . Control of the Breath . In the first place , we must learn to control the breath , or , in other words , to manage the wind - chest . The primary requisite for a good tone is a sufficient supply of air . The power to ...
... tone conditions . Control of the Breath . In the first place , we must learn to control the breath , or , in other words , to manage the wind - chest . The primary requisite for a good tone is a sufficient supply of air . The power to ...
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