Oral English: Or, The Art of SpeakingD. C. Heath, 1916 - 361 стор. |
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Сторінка 4
... minds are rebellious and refuse to act freely . But , if we continue to practice , we shall see , both in ourselves and in others , fear giving place to confidence and awkwardness to ease . It may even be that a few who read this ...
... minds are rebellious and refuse to act freely . But , if we continue to practice , we shall see , both in ourselves and in others , fear giving place to confidence and awkwardness to ease . It may even be that a few who read this ...
Сторінка 9
... mind , enable the student to maintain a correct poise . If he will follow this direction , he will notice that the head is brought to an erect position , the chest is raised , the shoulder blades are flattened , the hips are drawn back ...
... mind , enable the student to maintain a correct poise . If he will follow this direction , he will notice that the head is brought to an erect position , the chest is raised , the shoulder blades are flattened , the hips are drawn back ...
Сторінка 10
... mind , enable the student to maintain a correct poise . If he will follow this direction , he will notice that the head is brought to an erect position , the chest is raised , the shoulder blades are flattened , the hips are drawn back ...
... mind , enable the student to maintain a correct poise . If he will follow this direction , he will notice that the head is brought to an erect position , the chest is raised , the shoulder blades are flattened , the hips are drawn back ...
Сторінка 14
... mind on the ideal tone , and his vocal mechanism will , to some extent , adjust itself to meet the mental demand . He should then listen to his own tone and compare it with his ideal . When he has discovered his fault , he should ...
... mind on the ideal tone , and his vocal mechanism will , to some extent , adjust itself to meet the mental demand . He should then listen to his own tone and compare it with his ideal . When he has discovered his fault , he should ...
Сторінка 16
... . Danger of centering the mind on the vocal mechanism . 2. Method of training the ear . B. Need of time and perseverance . C. Possibility of overcoming all defects . III . C , 1. Demosthenes . 2. Henry Ward 16 ORAL ENGLISH.
... . Danger of centering the mind on the vocal mechanism . 2. Method of training the ear . B. Need of time and perseverance . C. Possibility of overcoming all defects . III . C , 1. Demosthenes . 2. Henry Ward 16 ORAL ENGLISH.
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