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action actually appear attempt become better called century character circumstance classic clear conception confusion consciousness consists Corneille criticism curious difference distinction doubt drama Dryden effect Elizabethan English existence expression fact failed feeling finally follow force French genius give Greek Greek tragedy hand human ideas illusion imagination imitation importance impossible impression instance interest kind least less literary literature look manner matter means merely method mind moral nature necessary never novel observation once opinion particular perhaps play poet poetic poetry possible present principle probably produce prose reader reality reason remark represent respect result Sainte-Beuve seems sense Shakespeare short significance sonnet sort spirit spite style suggestive suppose sure talk taste thing thought tion tradition tragedy truth turn verse virtue whole writing
Сторінка 143 - Holds such an enmity with blood of man, That, swift as quicksilver, it courses through The natural gates and alleys of the body ; And, with a sudden vigour, it doth posset And curd, like eager droppings into milk, The thin and wholesome blood...
Сторінка 172 - In vain, they gaze, turn giddy, rave, and die. Religion, blushing, veils her sacred fires, And unawares Morality expires. Nor public flame, nor private dares to shine; Nor human spark is left, nor glimpse divine Lo, thy dread empire, Chaos ! is restored; Light dies before thy uncreating word : Thy hand, great Anarch, lets the curtain fall, And universal darkness buries all.
Сторінка 175 - Learn hence for ancient rules a just esteem ;' To copy Nature is to copy them.
Сторінка 161 - Blank verse is acknowledged to be too low for a poem — nay more, for a paper of verses; but if too low for an ordinary sonnet, how much more for tragedy, which is by Aristotle, in the dispute betwixt the epic poesy and the dramatic, for many reasons he there alleges, ranked above it?
Сторінка 132 - Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return.
Сторінка 296 - When good is near you, when you have life in yourself, it is not by any known or accustomed way ; you shall not discern the footprints of any other; you shall not see the face of man; you shall not hear any name ; — the way, the thought, the good, shall be wholly strange and new.
Сторінка 136 - ... who, by the mere strength of natural parts, and without any assistance of art or learning, have produced works that were the delight of their own times and the wonder of posterity.
Сторінка 134 - Witness the lameness of their plots; many of which, especially those which they writ first (for even that age refined itself in some measure), were made up of some ridiculous incoherent story, which in one play many times took up the business of an age. I suppose I need not name Pericles, Prince of Tyre, nor the historical plays of Shakespeare: besides many of the rest, as the Winter's Tale, Love's Labour's Lost, Measure for Measure, which were either grounded on impossibilities, or at least so meanly...
Сторінка 181 - Since I have raised to myself so great an Audience, I shall spare no Pains to make their Instruction agreeable, and their Diversion useful. For which Reasons I shall endeavour to enliven Morality with Wit, and to temper Wit with Morality, that my Readers may, if possible, both Ways find their Account in the Speculation of the Day.
Сторінка 311 - There is no chance and no anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere. The young mortal enters the hall of the firmament ; there is he alone with them alone, they pouring on him benedictions and gifts, and beckoning him up to their thrones. On the instant, and incessantly, fall snow-storms of illusions. He fancies himself in a vast crowd which sways this way and that, and whose movement and doings he must obey; he fancies himself poor, orphaned,...