Mozart & His Piano Concertos

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Courier Corporation, 2011 - 509 стор.
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This classic of music criticism provides detailed studies of 23 of Mozart's piano concertos. In addition to establishing the lines along which the genre developed, the concertos also shed light upon the technical and inspirational growth of their creator.
The first full-length survey devoted to these works, this scholarly book presents a full, concrete musical analysis that makes liberal use of musical examples — 417 in all — and presents authoritative information on the concertos' form, tone, style, and balance as well as the circumstances of their composition. The author compares and contrasts each piece with Mozart's other works and with compositions by Beethoven, Haydn, and other composers. A definite text for musicologists, performers, teachers, and students, this study's clarity and personable tone make it accessible to any lover of Mozart's music.
 

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Зміст

Preface
9
Introduction
13
structure
24
relations
56
K I75 in D 238 in Bflat 242 in F for
73
K 413 in F 414 in A 415 in C
124
K449 in Eflat
165
K 45o in B fiat
193
K459 in F
280
K 466 in D minor
307
K467 in C 3 32
332
K482 in Eflat
348
K491 in C minor
389
K 5 37 in D
453
K595 in B flat
465
Conclusion
494

K451 in D
212
K 453 in G
238
K456 in B fiat
257
Index of Composers
505
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British musicologist and literary scholar Cuthbert Girdlestone (1895-1975) was educated at Cambridge and the Sorbonne and taught French at King's College in Newcastle from 1926 to 1960.

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