N.Y. / L.A.AuthorHouse, 30 бер. 2006 р. - 316 стор. The colorful, morally complex life of Matthew Fleming, an actor of rare talent, from an impoverished but work-filled decade in Off-Broadway theaters through his 'overnight' success on Broadway - then on to international acclaim as a charismatic movie star - is the 'stuff of this gripping novel.Matt is haunted by the belief his leap from obscurity to fame wasn't due to his gift alone but also to the death of a wealthy lover, Andrea Whittaker. He is convinced her drowning, considered accidental, was, in fact, a murder and that he knows the perpetrator. Yet for reasons he's long repressed, he never sought justice for the killer.A lesser anguish gnawing at Matt Fleming's emotional core is his need to express himself on stage before live audiences. To make the break from his domineering manager/partner, David Whittaker -Andrea's widowed husband - who insists he stick with movies, and Laura Fleming, his glamor-struck wife who would never leave Malibu with Harry, their young son, to return to gritty N. Y., he jumps at an offer to make an 'art' film in England. He hopes it will provide the distance he needs in order to decide how he can rid himself of real and imagined demons...The narrative begins and ends in the winter of 2000. A youthful forty, Matt is playing Prince Hal in director Kenneth Branagh's version of Shakespeare's Henry IV. A role he's always aspired to, his London experience is further buoyed by a serious, surreptitious love affair with Beth Winters, the Lady Percy of the film. But he dare not make her privy to the dilemmas which by now are causing him to have terrifying nightmares.Re-enter Charley Sutter. A retired New York Homicide detective turned insurance investigator, he first met Matt ten years before when assessing whether Andrea's death possibly could have been a suicide. Despite their brief encounters since Matt moved to L. A., a strong father-son bond developed between the two men.It is to Sutter he finally confesses his weighty secret, flying to New York for an intense weekend with him. At first shocked by Marts charge of murder and who he intuitively believes to be the killer, bit-by-bit the sage cop buys into the actors far-fetched notion, while remarking the odds are against ever proving the case. Sutter then raises a more daunting question: if Matt pursues his accusation and even succeeds in what must be a major public trial, wont his long, inexcusable silence mean the end of his storied career? Matts love of his art, Beth and Harry are all at stake if he permits his conscience to dictate his next step. What judgement will prevail to take him into the third act of this compelling drama...? |
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Сторінка 2
... sure, but that still could be in his cards. Oh yes, much was going to change in the months and years ahead, no matter what David said, threatened or tried to manipulate. Little did the prick suspect how much Matt had gotten his act ...
... sure, but that still could be in his cards. Oh yes, much was going to change in the months and years ahead, no matter what David said, threatened or tried to manipulate. Little did the prick suspect how much Matt had gotten his act ...
Сторінка 3
... sure he always had a current development deal as a director for a commercial enterprise. Accepting the box-office reality of his diminished drawing power as a leading man, he wasn't hustling any more classics of the Bard starring ...
... sure he always had a current development deal as a director for a commercial enterprise. Accepting the box-office reality of his diminished drawing power as a leading man, he wasn't hustling any more classics of the Bard starring ...
Сторінка 7
... sure. No, he'd finally learned to hold it all in; his brow would darken, he'd pace the room, then gently, as if to a rebellious teenage son or daughter he never had but assumed, if he had, would be open to reason: “...Matt...You and ...
... sure. No, he'd finally learned to hold it all in; his brow would darken, he'd pace the room, then gently, as if to a rebellious teenage son or daughter he never had but assumed, if he had, would be open to reason: “...Matt...You and ...
Сторінка 11
... sure, Ken? I could–” “–And I'm sure your next take might even be better in one place or another, darlin', but then I'd get confused out here and then I'd get upset in the cutting room and my dog would start barking and...” “All right ...
... sure, Ken? I could–” “–And I'm sure your next take might even be better in one place or another, darlin', but then I'd get confused out here and then I'd get upset in the cutting room and my dog would start barking and...” “All right ...
Сторінка 12
... sure do treat the help good!” “I think they've got a deal with the place. At least I hope so.” “I'm nearby. Give you a lift back if you need one.” “That'd be terrific. I promise no questions 'til the appointed hours next week.” “Thanks ...
... sure do treat the help good!” “I think they've got a deal with the place. At least I hope so.” “I'm nearby. Give you a lift back if you need one.” “That'd be terrific. I promise no questions 'til the appointed hours next week.” “Thanks ...
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able actor ANDY asked audience become believe Beth better camera Charley close course DAVID deal didn’t director don’t door drink eyes face feel felt finally Fleming give going hand Harry he’d head hear hell hold hope I’ve it’s Jack keep kind kiss knew later laugh LAURA least leave light living look Matt Matt’s mean meet mind minutes move movie never night nods once passed performance person play producer question ready reason remember scene script seemed seen side smile stage star sure Sutter talent talking tell Thanks theater thing thought told took turned waiting week Whittaker wife woman writer York you’re young