Metaromanticism: Aesthetics, Literature, TheoryUniversity of Chicago Press, 15 лип. 2003 р. - 316 стор. This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether. |
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... English Romantic Discourse 210 11. Sublimity to Indeterminacy : Dreams of a New World Order 12. Romantic Republicanism and Multicultural Progress 231 249 Notes Index 269 303 ACKNOWLEDGMENTS T his book represents a decade and more of.
... English Romantic Discourse 210 11. Sublimity to Indeterminacy : Dreams of a New World Order 12. Romantic Republicanism and Multicultural Progress 231 249 Notes Index 269 303 ACKNOWLEDGMENTS T his book represents a decade and more of.
Сторінка 1
... discourse . Metaphysics , were it possible , would tell us of the nature of reality from a position outside reality , immune to its vagaries . Similarly , a metalanguage , were it possible , would define language without being itself ...
... discourse . Metaphysics , were it possible , would tell us of the nature of reality from a position outside reality , immune to its vagaries . Similarly , a metalanguage , were it possible , would define language without being itself ...
Сторінка 2
... discourse , self - critique is just the fashion in which it struggles with itself , is about itself , beside itself even . Critique is another way in which it becomes what it is , not a way in which it posits an alternative to its own ...
... discourse , self - critique is just the fashion in which it struggles with itself , is about itself , beside itself even . Critique is another way in which it becomes what it is , not a way in which it posits an alternative to its own ...
Сторінка 3
... discourses . The collaboration between English literature and German philosophy in the romantic pe- riod , intuitively helpful in the past but hard to prove , can thus take on a new dimension . Framed in this way , the literary ...
... discourses . The collaboration between English literature and German philosophy in the romantic pe- riod , intuitively helpful in the past but hard to prove , can thus take on a new dimension . Framed in this way , the literary ...
Сторінка 4
... discourse capable of mobilizing its radical potential more effectively is thus early seen by Rousseau and borne witness to in an astonishingly self - lacerating romantic manner . I use Friedrich Schiller's Kantian aesthetics , though ...
... discourse capable of mobilizing its radical potential more effectively is thus early seen by Rousseau and borne witness to in an astonishingly self - lacerating romantic manner . I use Friedrich Schiller's Kantian aesthetics , though ...
Зміст
Schillers Temporizing | 25 |
Rousseaus Children | 44 |
Politics in Reserve Coleridge and Godwin | 69 |
Keats and Critique | 88 |
Waverley Scotts Romantic Narrative and Revolutionary Historiography | 115 |
A French Connection The Shellevs Materialism | 139 |
Jane Austens Conservatism | 156 |
Romantic Patriotism Marvells Romantics | 175 |
The Romanticism of Contemporary Ideology | 193 |
The New Romanticism Philosophical Standins in English Romantic Discourse | 210 |
Sublimity to Indeterminacy Dreams of a New World Order | 231 |
Romantic Republicanism and Multicultural Progress | 249 |
Notes | 269 |
303 | |
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Загальні терміни та фрази
Adorno aesthetic Alasdair MacIntyre alternative appears argued Austen's becomes Benjamin Burke's Cambridge University Press Carl Schmitt chapter character chiasmus claims Coleridge communication Concerning Political Justice Conservatism Conservative contemporary critical critique cultural cynicism described discourse empiricism English Enlightenment Enquiry Concerning Political experience fiction figure French Revolution Friedrich Schlegel German Godwin's Habermas Habermas's Hazlitt Hegel historicism human Hyperion poems idea ideal idealist imagination immanent interpretation irony Jacobite Jane Austen judgment Jürgen Habermas Kant Kant's Kantian Keats Keats's Keatsian kind language Leon literary logic London Lyotard Marvell's Marx Mary Shelley materialism metaromantic Mettrie moral narrative nature novel Oxford paradox patriotism philosophical poem poetic poetry possible postmodern public sphere radical readers reading republican reverie Revolutionary rhetoric romanticism Rousseau Sade Schiller's aesthetic Schlegel Schlegelian Scott's sense Shelley Shelley's skepticism social society Stendhal sublime theory thetic thought tion Tory tradition trans understanding Waverley William William Godwin Wordsworth writing
Посилання на книгу
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib Попередній перегляд недоступний - 2005 |