Metaromanticism: Aesthetics, Literature, TheoryUniversity of Chicago Press, 15 лип. 2003 р. - 316 стор. This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether. |
Зміст
Schillers Temporizing | 25 |
Rousseaus Children | 44 |
Politics in Reserve Coleridge and Godwin | 69 |
Keats and Critique | 88 |
Waverley Scotts Romantic Narrative and Revolutionary Historiography | 115 |
A French Connection The Shellevs Materialism | 139 |
Jane Austens Conservatism | 156 |
Romantic Patriotism Marvells Romantics | 175 |
The Romanticism of Contemporary Ideology | 193 |
The New Romanticism Philosophical Standins in English Romantic Discourse | 210 |
Sublimity to Indeterminacy Dreams of a New World Order | 231 |
Romantic Republicanism and Multicultural Progress | 249 |
Notes | 269 |
| 303 | |
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Загальні терміни та фрази
Adorno aesthetic Alasdair MacIntyre alternative appears argued Austen's becomes Benjamin Burke's Cambridge University Press Carl Schmitt chapter character chiasmus claims Coleridge communication Concerning Political Justice Conservatism Conservative contemporary critical critique cultural cynicism described discourse empiricism English Enlightenment Enquiry Concerning Political experience fiction figure French Revolution Friedrich Schlegel German Godwin's Habermas Habermas's Hazlitt Hegel historicism human Hyperion poems idea ideal idealist imagination immanent interpretation irony Jacobite Jane Austen judgment Jürgen Habermas Kant Kant's Kantian Keats Keats's Keatsian kind language Leon literary logic London Lyotard Marvell's Marx Mary Shelley materialism metaromantic Mettrie moral narrative nature novel Oxford paradox patriotism philosophical poem poetic poetry possible postmodern public sphere radical readers reading republican reverie Revolutionary rhetoric romanticism Rousseau Sade Schiller's aesthetic Schlegel Schlegelian Scott's sense Shelley Shelley's skepticism social society Stendhal sublime theory thetic thought tion Tory tradition trans understanding Waverley William William Godwin Wordsworth writing
Посилання на книгу
A History of Literary Criticism and Theory: From Plato to the Present M. A. R. Habib Попередній перегляд недоступний - 2005 |