"I have not anything to leave thee to perpetuate my memory but two helpless girls; look upon them sometimes, and think of him that was to the last moment of his life thine, "GEORGE FARQUHAR."

Wilks obtained a benefit for the girls-it was very successful, and the produce was employed for their support.

Many years have past since we have looked into the comedies of Farquhar; we can now form but an indistinct opinion of their general character and merits from any recollection of our own. They belong perhaps to a department of the drama, which, of all branches of English literature, is the least likely to be restored to the possession of that popular favour which is the legitimate claim of those dramas which pretend to the representation of life and manners. Farquhar has been compared with Congreve. If the preference were to be settled with regard to pre-eminence of genius, or even superiority in that wit, in which both excelled, we should not hesitate to decide for Congreve-if, indeed, we should admit the propriety of so unequal a comparison. But Farquhar has his advantages which, although less brilliant and imposing when viewed with regard to genius only, give him many practical claims to an effective superiority. Compared with his greater rival, he is far more natural, and far less licentious and impure: and while the sparkling dialogues of Congreve could never have taken place except upon the stage, Farquhar's scenes were at least true to human life, the manners of his day, and the passions of nature. His plots were also more finished, and the style of his dialogue more simple and unaffected.

Either of these distinguished comic writers, if they should at a future time be looked into, will be chiefly valuable for the reflexion which they retain of the taste and morals of the age in which they wrote; for, of both, it may be said, that they are licentious and artificial. There yet remained the consequences of that corruption of which we think the origin must be looked for in the disorders of the long rebellion, but which was nurtured and brought to its rank maturity in the hotbed of king Charles' court. A strong reaction set in during the reign of William and Mary; but the taint was too congenial for human nature to throw off with ease. Purer rules may be adopted by the reason and conscience, long before taste and fashion, which dwell in pleasures and levities, will be restored. The misapplications of talent are directed by the beck and eye of folly-to say no worse and the taste of succeeding generations will long continue vitiated by the perpetuating influence of the poet.

It was in this generation, and in the person of Congreve, that the licentiousness of the comic drama received a check from which we are inclined to date much of the reform in manners, which can be subsequently traced. We refer to Collier's "Short View of the Immorality and Profaneness of the English Stage," published in 1688.

He was weakly opposed by Congreve, whose opposition had only the effect of prolonging, and giving added decision to the victory of his antagonist. Collier lived," writes Dr Johnson, "to see the reward of his labour in the reformation of the theatre."

Of Congreve, we are entitled to offer a separate notice, as he was educated first at Kilkenny, and then in the university of Dublin. The place of his birth has been disputed, but he was himself strenuous in the assertion of his claim to have been a native of England. We do not see any reason to dispute the point, and our fast contracting limits offer some for declining the doubtful honour. So far as education may be allowed to govern the judgment, store the memory, or guide the taste, his literary reputation is due to the university of Dublin. A brief but sufficient memoir of his life has been written by Johnson, whose writings are in every hand.

Nahum Tate.

BORN A.D. 1652.-DIED A.D. 1715.

NAHUM TATE was the son of a clergyman of the county of Cavan. He was born in Dublin, whither his father had been driven by the rebels. His father became, after some vicissitudes, minister of Werburgh's church in Dublin. It may be inferred that the son had the advantages of a peaceable youth and pious education. At the age of sixteen he entered the university of Dublin. He was favoured early with the patronage of the earl of Dorset, and succeeded Shadwell as poet laureat. The incidents of his life were few and uninteresting. He fell into great distress and died, it is said in the Mint, into which he had escaped from his creditors.

As a writer, he cannot receive much commendation-his poems and dramatic works could hardly be considered as entitling him to a notice here. But those far and universally known versions of the psalms, which have given to piety a welcome and available resource, and added to sacred music the utterance of inspired feeling, is not to be rated by the talent that has been employed in the pious and honourable task. When the proudest monuments of human genius shall have past away, and when the thoughts of which the very foundation and meaning subsist in perishable things shall have been forgotten, the meanest song, in which eternal truths are uttered, may be preserved by their abiding truth, and be a portion of the records of heaven.

The songs of Zion do not indeed demand the genius of Moore or Byron, to give to heavenly inspiration the power of earthly genius. They demand no refined and artful melody of versification, no terse and pointed rhetoric of style, to wrest them from their pure and simple significancy: they refuse the additions which are involved in the whole art of poetry, and have only required, with the utmost truth and fidelity to be conformed to the rhythm adapted to church music, and to the genius of the national ear. To be sung, as in their origin they were, and to be still the song of every rank and tongue, as well adapted to the sabbath-evening of the peasant, as the endowed cathedral; to be

the effusion of the simplest christian piety, and still not lose their tone and echo of the ancient harp of Israel, only demanded changes of form, to which aspiring genius, with its excess of invention and profuse array of intellectual tints, will not be confined; and which a thorough infusion of genuine sympathy with pious sentiments, can alone command. In such a task a more refined and gifted mind than Tate's might have found itself wanting; and, it may perhaps be not unfitly added-for we have seen it variously exemplified that a degree of intellectual power little competent in most exertions of human aim, when employed in the service of God, and elevated by that Spirit which is greater than the power of genius, will reach to heights which can be accounted for in no other way than by tracing them to the source of all truth and wisdom,-such efforts will ever be found characterized by a chaste adaptation to their good and hallowed purpose.

Sir Richard Steele.

BORN A.D. 1671.-DIED A.D. 1729.

STEELE was born in Dublin, some time in 1671. His father was a barrister, and private secretary to the duke of Ormonde, by whose influence his son was admitted into the charter-house in London, to be educated. In this institution he formed his acquaintance with Addison. From the charter-house he entered Merton College, Oxford, where he gave his attention chiefly to the study of English literature, and manifested that talent and restlessness of temper, so remarkable in his after life. While yet in college he wrote a comedy, which he suppressed by the advice of a fellow-student. He probably devoted more time to gaiety and dissipation than to study, and evidently became at last impatient of the sober character of a student. Being destitute of the means of the more expensive and costly dissipation of the place, and, in all probability, infected with the military tastes for gay uniform and companions, to which young men are so liable; he left the university without taking his degree, and enlisted in the horse-guards. The step was fatal to his prospects, as he was thus, by the resentment of his family, cut off from the succession to an estate in the county of Wexford, to which he was the presumptive heir.

Having thus cut the ties between him and these expectations to which he was entitled by his birth, Steele was not deficient in those less ordinary advantages, by which men of genius and enterprise occasionally make their way good in life. As often happens in such instances, he had more power to win, than prudence to secure, the advantages of success. His wit, uniform gaiety, and amiability of manner and temper, together with the pleasure-loving recklessness of his character, made him a universal favourite in the regiment. With these qualities Steele possessed another, not so much in unison with such a temper, and not so much to the taste of those by whom it is possessed a tender and impressible conscience. Young men, abandoned to gaiety with that wholeness of devotion which generally marks

the follies of the young, will not often-if ever-be observed to be very much alive to impressions of an opposite kind; but this is chiefly because, in the crowd, the physical portion of our nature is far predominant above the moral or intellectual, and preserves therefore, more thoroughly that consistency in good or evil which is due to habits of mind, however caused. But it is different in the few cases where the mind obtains some degree of prevalence: the seeming contradiction, so frequently displayed in the career of Steele, then appears. While the animal passions, and the tastes which they engender, will hurry on the devotee of folly, he becomes, at the same time, painfully subject to the daily check of a voice which he cannot silence, because he continues, in despite of folly, to think and feel; he cannot be brutalized by the cup of Circe till after long and repeated draughts have at length destroyed the divine elements of humanity within him. In Steele, restless and impulsive as he was, the noble element was strong within; and, while his wit and spirit placed him high in the revel, he felt also a growing repugnance to the distinction, and turned in his moments of reflection to look back, with longing, upon the peaceful and happy tenor of better and more profitable years. But, above all, he was yet, in his convictions at least, a sincere Christian, and could not without compunction experience the total inconsistency with such a profession of all his present companionships and avocations. He resolved at last on a change, for which he by no means possessed adequate perseverance; yet, acting with a noble courage on his resolution, he at once took what he considered a decisive step to cut the bonds between him and temptation. In pursuance of this laudable design he wrote for himself a brief manual of moral and religious counsel, which he shortly after published under the title of "The Christian Hero." The result strongly proves the real character of his associates—he was at once denounced among them and universally shunned. Those who had been his companions and admirers took every opportunity to insult him, and, as they said, to prove whether he was a "Christian Hero" or not. Among them, one more violent and vain-glorious than the rest endeavoured to provoke him to a duel. Steele made every effort to avoid it, but the prejudice of the day was still in favour of this monstrous remnant of the barbarism of Gothic times; and public opinion was imperative. A soldier could not, without the loss of honour, refuse to expose his life at the demand of the most wanton vice and folly. Steele was compelled to meet his brutal and despicable challenger, but had the good fortune or the prowess to run him through in the encounter. The whole transaction came circumstantially before the commander of the regiment; lord Cutts, whose conduct deserves to be honourably recorded, appointed him his private secretary, and obtained him an ensigncy in the regiment of lord Lucas.

The impression made in the regiment, generally, and among the dissolute circle in which he lived, was, however, strongly unfavourable to Steele, and not, indeed, without strong apparent ground. It was evident that a course of reckless dissipation was maintained during the composition of a book, which, thus accompanied, could not fail to carry an air of gross insincerity; his mornings were spent in preaching against the disorder and vices of his nights, and the

charge of hypocrisy can only be answered by the imputation of a more than common share of that fearful inconsistency which is a known condition of the human character. The contempt thus incurred, if not justly directed, was at least strongly sanctioned. Steele is thought to have sought refuge in literary distinction, and, under the influence of this distressing position, to have turned his mind to the drama-then the main direction of the intellectual power of the age. His first effort, in this line of composition, was the "Funeral, or Grief a la mode," a Comedy. It had at least the success of satisfying the king's taste, and the author's name was placed on the list of preferment-the king, however, did not live to effect his favourable intentions, and the list of court favour was cancelled by death. His friendship with Addison was of more avail. Addison exerted himself so strenuously that he obtained for him the appointment of writer of the Gazette, with a salary of £300 a-year.

Encouraged by the success of his first effort he persevered in dramatic composition; and in the course of the next few years brought out several plays, some original, some translations.

Steele is best known to posterity as a writer of periodical papers, which have survived, not alone by their own great merit, but by their conjunction with the writings of Addison, his still more illustrious friend. Steele appears to have been the projector of the first effort of this character, which, in any considerable degree, caught the public attention. He commenced the Tattler on the 22d April, 1709. Addison, who was not in the secret, discovered the true author by means of a comment on Virgil, which he had given to Steele. Addison's first contribution appeared on the 26th of May following, and he continued to assist his friend by a succession of papers, which continued at intervals nearly till the 2d of January, 1711, when Steele discontinued the Tattler. This paper may not improbably have been suggested by Swift's papers on Bickerstaff, which preceded it but a little, and it is known that Swift was for sometime an active contributor; it was not, however, till Addison became enabled by the change of the ministry to give his time to the paper, that it rose to any very considerable eminence. It advanced the reputation of Steele much, and obtained for him the office of commissioner of stamps.

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In the mean time, Steele had contracted a marriage, in which it is most likely that his principal objects were not attained, a lady, who brought him an estate in the island of Barbadoes, considered worth eight hundred pounds a-year, but encumbered to nearly its value. Such an alliance held forth a strong temptation to one of Steele's expensive habits, and brought with it not much more than an excuse for extravagance.

On the 1st of March, 1711, the first number of the Spectator was published. It was conceived and generally executed in a more serious spirit, and has been, we believe, by far the most successful production of the same class. Though perhaps mainly designed as a vehicle for political opinion, it soon obtained a far higher, as well as more useful direction to mend the manners and improve the heart;" an intent loudly called for by the time. Johnson, whose wide acquaintance with the history of literature gives authority to his remarks, in his