The Choreographic Art: An Outline of Its Principles and Craft

Agnes de Mille Albrecht American artistic director audience Balanchine ballerina ballet 1 act ballet d'action Ballets Russes battements Benois Blasis Bournonville British C.Gdn Cecchetti century character choreo choreographer choreographer's classical ballet collaborators composer contemporary costumes Cranko created d'action dance dancers Danish danse d'école déc décor designer deux developed Diaghilev dramatic emotional ensemble express expressionist expressionist dancing f.p. Diaghilev's Fokine Fokine's Fonteyn fouetté Frederick Ashton French Giselle grapher graphy Helpmann ideas influence inspiration John Cranko Karsavina Les Sylphides libretto Lifar London Massine mime mood Moscow movement Nijinsky Ninette de Valois Noverre Ondine Paris Opéra pas de deux performance Perrot Petersburg Petipa Petrouchka pirouettes Plate Prince principal produced qualities Rambert rehearsal repertoire rhythm Robbins role romantic ballet scenario scene score Sir Frederick Ashton solo Soviet stage steps story Stravinsky style Swan Lake Sylphide Tchaikovsky technique theatre theme tours Tudor Viganò virtuosity vocabulary Wilis