The Sonnet Over Time: A Study in the Sonnets of Petrarch, Shakespeare, and BaudelaireUniversity of North Carolina Press, 1988 - 174 стор. Although many authors have produced successful sonnets, Sandra Bermann demonstrates that Petrarch, Shakespeare, and Baudelaire are clearly among those who best exploit the genre's potential for rhetorical and thematic diversity. Through a series of close readings informed by a striking combination of linguistics, contemporary theory, and history, she highlights a variety of rhetorical strategies: metonymy in the Petrarchan sonnet, mobile metaphors in the Shakeperean, and allegory and irony in the Baudelairean. She simultaneously underscores transformations in meaning and voice in each poet's rendition of traditional themes. Bermann concludes, however, that throughout these rhetorical and thematic changes, the sonnet maintains its focus on the poetic self. Whether this "I" marks a drive toward a strong, integral presence or emphasizes instead internal division and alienation, the very fact that the self remains so central lends some insight into the sonnet's longevity in the West. |
З цієї книги
Результати 1-3 із 53
Сторінка 23
... reader follows the often hypotactic , often suspended discourse on and on in direct imitation of the poet's metonymic themes of an endless discourse on an endless love . Never resting in a fully viewed image , the reader's mind journeys ...
... reader follows the often hypotactic , often suspended discourse on and on in direct imitation of the poet's metonymic themes of an endless discourse on an endless love . Never resting in a fully viewed image , the reader's mind journeys ...
Сторінка 32
... reader to pity the author's style as much as his style of life : " del vario stile in ch'io piango et ragiono ... spero trovar pietà , non che perdono . " Our awareness of poetic artfulness only grows through Pe- trarch's phonic effects ...
... reader to pity the author's style as much as his style of life : " del vario stile in ch'io piango et ragiono ... spero trovar pietà , non che perdono . " Our awareness of poetic artfulness only grows through Pe- trarch's phonic effects ...
Сторінка 55
... reader of Shakespeare's poetry that his metaphorical imagery bears , at least in part , on a general , even a universal code of human experience . His images do not take the reader simply from life to a purer world of verbal creation ...
... reader of Shakespeare's poetry that his metaphorical imagery bears , at least in part , on a general , even a universal code of human experience . His images do not take the reader simply from life to a purer world of verbal creation ...
Зміст
The Petrarchan Sonnet | 10 |
Chapter | 51 |
Chapter Three | 93 |
Авторські права | |
1 інших розділів не відображаються
Загальні терміни та фрази
allegory appears associated Baudelaire Baudelaire's begin brings build called century classical clearly close collection complex continually course create death describe desire difference distinctive dramatic draw effects emphasis expression external fact figures final fleurs followed grammatical hand human idealized imagery images imaginative important individual instance ironic irony Italian Italy language Laura least less linguistic literary lyric mark meaning metaphor metonymic mind mistress nature never object offers particularly past patterns person Petrarch's Petrarchan play poem poet poet's poetic poetry precisely present produce qualities quatrain reader reference remains Renaissance repetition reveals rhetorical rhyme Rime sparse seems semantic sense sequence serve Shakespeare's single sonnet sort space speaker's speaking structure style suggests syntax takes themes thing third thou thought tion tradition transform tropes turn University usual voice writes