The Sonnet Over Time: A Study in the Sonnets of Petrarch, Shakespeare, and BaudelaireUniversity of North Carolina Press, 1988 - 174 стор. Although many authors have produced successful sonnets, Sandra Bermann demonstrates that Petrarch, Shakespeare, and Baudelaire are clearly among those who best exploit the genre's potential for rhetorical and thematic diversity. Through a series of close readings informed by a striking combination of linguistics, contemporary theory, and history, she highlights a variety of rhetorical strategies: metonymy in the Petrarchan sonnet, mobile metaphors in the Shakeperean, and allegory and irony in the Baudelairean. She simultaneously underscores transformations in meaning and voice in each poet's rendition of traditional themes. Bermann concludes, however, that throughout these rhetorical and thematic changes, the sonnet maintains its focus on the poetic self. Whether this "I" marks a drive toward a strong, integral presence or emphasizes instead internal division and alienation, the very fact that the self remains so central lends some insight into the sonnet's longevity in the West. |
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... patterns on the page that phonic repetitions only further embed . Within these visual and phonic bounds , meaning ... pattern of repetition , and then a sestet , with a different rhyme scheme , to create a complex , formally self ...
... patterns on the page that phonic repetitions only further embed . Within these visual and phonic bounds , meaning ... pattern of repetition , and then a sestet , with a different rhyme scheme , to create a complex , formally self ...
Сторінка 13
... patterns were deemed as essential to poetic ex- pression as its series of consecrated themes , the sonnet appears to have been an invented and artistic rather than popular form . It was created by Giacomo da Lentino and other prominent ...
... patterns were deemed as essential to poetic ex- pression as its series of consecrated themes , the sonnet appears to have been an invented and artistic rather than popular form . It was created by Giacomo da Lentino and other prominent ...
Сторінка 68
... pattern that the final rhyming couplet of Surrey's form brings . Since the major turn in the English sonnet comes ... patterns , and more by far than the more rigidly rhymed Petrarchan sonnet . But it also requires a particularly deft ...
... pattern that the final rhyming couplet of Surrey's form brings . Since the major turn in the English sonnet comes ... patterns , and more by far than the more rigidly rhymed Petrarchan sonnet . But it also requires a particularly deft ...
Зміст
The Petrarchan Sonnet | 10 |
Chapter | 51 |
Chapter Three | 93 |
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