The Sonnet Over Time: A Study in the Sonnets of Petrarch, Shakespeare, and BaudelaireUniversity of North Carolina Press, 1988 - 174 стор. Although many authors have produced successful sonnets, Sandra Bermann demonstrates that Petrarch, Shakespeare, and Baudelaire are clearly among those who best exploit the genre's potential for rhetorical and thematic diversity. Through a series of close readings informed by a striking combination of linguistics, contemporary theory, and history, she highlights a variety of rhetorical strategies: metonymy in the Petrarchan sonnet, mobile metaphors in the Shakeperean, and allegory and irony in the Baudelairean. She simultaneously underscores transformations in meaning and voice in each poet's rendition of traditional themes. Bermann concludes, however, that throughout these rhetorical and thematic changes, the sonnet maintains its focus on the poetic self. Whether this "I" marks a drive toward a strong, integral presence or emphasizes instead internal division and alienation, the very fact that the self remains so central lends some insight into the sonnet's longevity in the West. |
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Сторінка 35
... object rather than subject . But since " Amore , " the nominal subject , is itself but a clear metaphoric projection of the imprisoned self , the trope turns inward precisely at the sonnet turn for the Petrarchan sonnet's familiar ...
... object rather than subject . But since " Amore , " the nominal subject , is itself but a clear metaphoric projection of the imprisoned self , the trope turns inward precisely at the sonnet turn for the Petrarchan sonnet's familiar ...
Сторінка 53
... object . The syntactic core of the sentence " thou art too dear " -prizes the subject " thou , " as the prepositional phrase " for my possessing " -makes plain that the lover's claims on the young man are limited , if not at an end . On ...
... object . The syntactic core of the sentence " thou art too dear " -prizes the subject " thou , " as the prepositional phrase " for my possessing " -makes plain that the lover's claims on the young man are limited , if not at an end . On ...
Сторінка 63
... object of exchange . " Thy self thou gav'st " explicitly transforms the friend into a third person object of his own action , a reified self that reappears as " it " and " gift " in the following lines . If such reifications of love ...
... object of exchange . " Thy self thou gav'st " explicitly transforms the friend into a third person object of his own action , a reified self that reappears as " it " and " gift " in the following lines . If such reifications of love ...
Зміст
The Petrarchan Sonnet | 10 |
Chapter | 51 |
Chapter Three | 93 |
Авторські права | |
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Загальні терміни та фрази
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