Renaissance PapersSoutheastern Renaissance Conference, 1982 |
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Сторінка 15
... scene two . In the middle of scene two , Paris leaves the stage ; after seven lines of the Servant's soliloquy , Romeo enters . This alternation brings the two suitors to our attention as they confront similar situations : Romeo de ...
... scene two . In the middle of scene two , Paris leaves the stage ; after seven lines of the Servant's soliloquy , Romeo enters . This alternation brings the two suitors to our attention as they confront similar situations : Romeo de ...
Сторінка 41
... scene . Portia's theatrical nature and her identity as a Silenus figure ( an iden- tity first defined emblematically by her portrait within the lead casket ) are most obvious in the courtroom scene . As Balthazar , the young doctor of ...
... scene . Portia's theatrical nature and her identity as a Silenus figure ( an iden- tity first defined emblematically by her portrait within the lead casket ) are most obvious in the courtroom scene . As Balthazar , the young doctor of ...
Сторінка 66
... scene carries his role as injured father with him , and the emotional tone of the scene is therefore qualified and ambiguous . Because Shakespeare links Shylock so closely with Old Testament Judaism and with the familiar Jewish legend ...
... scene carries his role as injured father with him , and the emotional tone of the scene is therefore qualified and ambiguous . Because Shakespeare links Shylock so closely with Old Testament Judaism and with the familiar Jewish legend ...
Зміст
Michael P Parker | 1 |
Entzminger | 21 |
Gregory de Rocher | 45 |
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action Aeson Agrippa d'Aubigné Alciati allusions Andrea Alciati appearance Arnolfini Wedding Portrait Arnolfinis Arviragus Baroque Bassanio Belarius Book caged bird CALIFORNIA LIBRARY casket Christ Christ's birth Christmas court courtier Crashaw Cymbeline Davenant Davenant's death depicted describes Diana drama Early Netherlandish Painting edition emblem Emblemata Epiphany Erasmus Erinyes Eyck's father figure Folly Guiderius Hecuba human Iachimo iconographic imagery Jan van Eyck Jason Juliet Lavinia Madagascar Magi Manierismo manifestation Mannerist marriage Medea Merchant of Venice Milton's mirror myth mythologems Nativity Ode nature Orpheus Orphic Ovid Ovid's Ovidian painting Panofsky Paris pastoral novel Philomela Philomela story play poem poet poet's poetry Portia Posthumus Procne queen reality Renaissance revenge reversed Silenus role Romeo scene Shakespeare shepherds Shylock significance Silenus box Silenus image Silenus metaphor sing speaker specific stage suitors symbol Tamora theatrical theatrum mundi trope thee tion Titus Andronicus Tragiques tree UNIVERSITY OF CALIFORNIA viewer