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Сторінка 72
If we take Panofsky's approach seriously, we must conclude that the two modes of signification in the painting— the style with its illusionary depiction of reality and the contents with their weight of iconographic meaning— work against ...
If we take Panofsky's approach seriously, we must conclude that the two modes of signification in the painting— the style with its illusionary depiction of reality and the contents with their weight of iconographic meaning— work against ...
Сторінка 71
... ( Figure 1 ] is a division between attention to the style of the painting and interest in the meaning it is supposed to convey.1 Many scholars are drawn to van Eyck's marvelous ability to convey in paint the illusion of reality .
... ( Figure 1 ] is a division between attention to the style of the painting and interest in the meaning it is supposed to convey.1 Many scholars are drawn to van Eyck's marvelous ability to convey in paint the illusion of reality .
Сторінка 74
We need also to notice that those elements in the painting which can be seen as carrying iconographic meaning are depicted in the same sort of insistent realistic detail . Whatever meaning these symbolic images add to the viewer's ...
We need also to notice that those elements in the painting which can be seen as carrying iconographic meaning are depicted in the same sort of insistent realistic detail . Whatever meaning these symbolic images add to the viewer's ...
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action allusions appearance Arnolfinis attention audience Bassanio become beginning bird birth Book cage calls casket characters Christ classical comes court courtier critics Cymbeline d'Aubigné Davenant Davenant's dead death defines depicted describes Diana discussion drama edition emblem enters Epiphany Erasmus example express Eyck Eyck's fact Fall father figure final further gives hand head History human imagery later Lavinia LIBRARY light lines manifestation Mannerism marriage meaning Merchant of Venice metaphor Milton's mirror myth Nativity nature novel once Orpheus Ovid painting Paris Philomela play poem poet poetry Portia present provides queen reality references Renaissance revelation role Romeo says scene seems sense Shakespeare shepherds significance Silenus simply sing speaker specific stage story structure style suggest symbol tion Titus Andronicus translation tree UNIVERSITY OF CALIFORNIA van Eyck viewer writing young