З цієї книги
Результати 1-3 із 14
Сторінка 2
... in those cases in which the title is ambiguous, the page number on which the poem appears in Gibbs is given in an endnote. being in questionable taste; a Caroline audience, however, would probably Renaissance Papers.
... in those cases in which the title is ambiguous, the page number on which the poem appears in Gibbs is given in an endnote. being in questionable taste; a Caroline audience, however, would probably Renaissance Papers.
Сторінка 9
But even the best of audiences can be fickle , a point George Sandys stresses when he suggests that Orpheus ' “ walking trees ” are none other than the Bacchantes themselves , “ who laying a side their javelins , tooke branches of trees ...
But even the best of audiences can be fickle , a point George Sandys stresses when he suggests that Orpheus ' “ walking trees ” are none other than the Bacchantes themselves , “ who laying a side their javelins , tooke branches of trees ...
Сторінка 68
She leads us also to a heightened awareness of the centrality of story in Shakespeare's crafting of drama - of story - incident as a shaping device , and of story as a way of controlling audience response and expectation .
She leads us also to a heightened awareness of the centrality of story in Shakespeare's crafting of drama - of story - incident as a shaping device , and of story as a way of controlling audience response and expectation .
Відгуки відвідувачів - Написати рецензію
Не знайдено жодних рецензій.
Зміст
Michael P Parker | 1 |
Entzminger | 21 |
Gregory de Rocher | 45 |
Авторські права | |
2 інших розділів не відображаються
Інші видання - Показати все
Загальні терміни та фрази
action allusions appearance Arnolfinis attention audience Bassanio become beginning bird birth Book cage calls casket characters Christ classical comes court courtier critics Cymbeline d'Aubigné Davenant Davenant's dead death defines depicted describes Diana discussion drama edition emblem enters Epiphany Erasmus example express Eyck Eyck's fact Fall father figure final further gives hand head History human imagery later Lavinia LIBRARY light lines manifestation Mannerism marriage meaning Merchant of Venice metaphor Milton's mirror myth Nativity nature novel once Orpheus Ovid painting Paris Philomela play poem poet poetry Portia present provides queen reality references Renaissance revelation role Romeo says scene seems sense Shakespeare shepherds significance Silenus simply sing speaker specific stage story structure style suggest symbol tion Titus Andronicus translation tree UNIVERSITY OF CALIFORNIA van Eyck viewer writing young