Renaissance PapersSoutheastern Renaissance Conference, 1982 |
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Сторінка 40
... Bassanio's election as the climactic scene is evident in her instruc- tions to set his performance to music and in her recasting of the scene . Bassanio will play Alcides , she will stand for virgin sacrifice , and her atten- dants will ...
... Bassanio's election as the climactic scene is evident in her instruc- tions to set his performance to music and in her recasting of the scene . Bassanio will play Alcides , she will stand for virgin sacrifice , and her atten- dants will ...
Сторінка 62
... Bassanio sets his desires toward Belmont and toward Portia , the Golden Fleece ; in mid - play , when Gratiano proclaims , " We are the Jasons , we have won the fleece " ; and in the fifth act , where we are reminded that on one moonlit ...
... Bassanio sets his desires toward Belmont and toward Portia , the Golden Fleece ; in mid - play , when Gratiano proclaims , " We are the Jasons , we have won the fleece " ; and in the fifth act , where we are reminded that on one moonlit ...
Сторінка 64
... Bassanio had responded : .. when this ring Parts from this finger , then parts life from hence- O then be bold to say Bassanio's dead ! ( 184ff . ) In this context , Bassanio's acquiescing to Antonio's plea : " ... let him have the ring ...
... Bassanio had responded : .. when this ring Parts from this finger , then parts life from hence- O then be bold to say Bassanio's dead ! ( 184ff . ) In this context , Bassanio's acquiescing to Antonio's plea : " ... let him have the ring ...
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Michael P Parker | 1 |
Entzminger | 21 |
Gregory de Rocher | 45 |
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