The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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Сторінка 16
... strong blows to the audience , that I have never seen a player in this character , who did not exaggerate and strain to the utmost these ambiguous features , -these temporary deformities in the character . They make him express a vul ...
... strong blows to the audience , that I have never seen a player in this character , who did not exaggerate and strain to the utmost these ambiguous features , -these temporary deformities in the character . They make him express a vul ...
Сторінка 17
... strong- est expression of satirical indignation of which the face and voice are capable . But then , whe- ther Hamlet is likely to have put on such brutal appearances to a lady whom he loved so dearly , is never thought on . The truth ...
... strong- est expression of satirical indignation of which the face and voice are capable . But then , whe- ther Hamlet is likely to have put on such brutal appearances to a lady whom he loved so dearly , is never thought on . The truth ...
Сторінка 43
... strong lines against the harlot's profession , with which both parts of this play are offensively crowded . A satirist is always to be suspected , who , to make vice odious , dwells upon all its acts and minutest circumstances with a ...
... strong lines against the harlot's profession , with which both parts of this play are offensively crowded . A satirist is always to be suspected , who , to make vice odious , dwells upon all its acts and minutest circumstances with a ...
Сторінка 53
... strong fancy . There is something frightfully earnest in her in- vocations to the Familiar . CYRIL TOURNEUR : The Revengers ' Tragedy . — The reality and life of the dialogue , in which Vindici and Hippolito first tempt their mother ...
... strong fancy . There is something frightfully earnest in her in- vocations to the Familiar . CYRIL TOURNEUR : The Revengers ' Tragedy . — The reality and life of the dialogue , in which Vindici and Hippolito first tempt their mother ...
Сторінка 57
... ? Who can be so strong ? The ex- pression of this transcendant scene almost bears us in imagination to Calvary and the Cross ; and " we seem to perceive some analogy between the scenical CONTEMPORARY WITH SHAKSPEARE . 57.
... ? Who can be so strong ? The ex- pression of this transcendant scene almost bears us in imagination to Calvary and the Cross ; and " we seem to perceive some analogy between the scenical CONTEMPORARY WITH SHAKSPEARE . 57.
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The Works of Charles Lamb, Vol. 2: Poems, Plays and Miscellaneous Essays ... Charles Lamb Попередній перегляд недоступний - 2018 |
Загальні терміни та фрази
1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh honour horror human humour images imagination Industry and Idle innocence John Tomkins Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion PERCY BYSSHE SHELLEY person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder
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Сторінка 19 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Сторінка 142 - But man is a noble animal, splendid in ashes, and pompous in the grave, solemnizing nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.
Сторінка 37 - Specimens of English Dramatic Poets who lived about the time of Shakspeare...
Сторінка 25 - The greatness of Lear is not in corporal dimension, but in intellectual : the explosions of his passion are terrible as a volcano : they are storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches.
Сторінка 86 - Doctors, and their servants (so that the remnant of the body would not hold out a bone amongst so many hands), take what was left out of the grave, and burnt them to ashes, and cast them into Swift, a neighbouring brook, running hard by. Thus this brook...
Сторінка 64 - He would have made a great epic poet, if indeed he has not abundantly shown himself to be one ; for his Homer is not so properly a translation as the stories of Achilles and Ulysses re-written.
Сторінка 26 - What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending.
Сторінка 22 - The truth is, the characters of Shakspeare are so much the objects of meditation rather than of interest or curiosity as to their actions, that while we are reading any of his great criminal characters, — Macbeth, Richard, even lago, — we think not so much of the crimes which they commit, as of the ambition, the aspiring spirit, the intellectual activity, which prompts them to overleap these moral fences.
Сторінка 183 - I am no way facetious, nor disposed for the mirth and galliardize of company; yet in one dream I can compose a whole comedy, behold the action, apprehend the jests, and laugh myself awake at the conceits thereof.
Сторінка 4 - But such is the instantaneous nature of the impressions which we take in at the eye and ear at a playhouse, compared with the slow apprehension often-times of the understanding in reading, that we are apt not only to sink the play-writer in the consideration which we pay to the actor, but even to identify in our minds in a perverse manner the actor with the character which he represents. It is difficult for a frequent play-goer to disembarrass the idea of Hamlet from the person and voice of Mr K[emble]....