The Works of Charles Lamb: In Two Parts, Том 2C. and J. Ollier, 1818 |
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... Hogarth On the Poetical Works of George Wither · Letters Page 1 37 72 88 - 127 Under assumed Signatures . The Londoner On Burial Societies , & c . On the Danger of confounding Moral with Personal Deformity 139 - 143 - 154 On the ...
... Hogarth On the Poetical Works of George Wither · Letters Page 1 37 72 88 - 127 Under assumed Signatures . The Londoner On Burial Societies , & c . On the Danger of confounding Moral with Personal Deformity 139 - 143 - 154 On the ...
Сторінка 88
... Hogarth , the Harlot's and Rake's Progresses , which , along with some others , hung upon the walls of a great hall in an old - fashioned house in shire , and seemed the solitary te- nants ( with myself ) of that antiquated and life ...
... Hogarth , the Harlot's and Rake's Progresses , which , along with some others , hung upon the walls of a great hall in an old - fashioned house in shire , and seemed the solitary te- nants ( with myself ) of that antiquated and life ...
Сторінка 89
... Hogarth . " His graphic representations are indeed books they have the teeming , fruitful , suggestive meaning of ... Hogarth's Rake's Progress together . The story , the moral , in both is nearly the same . The wild course of riot and ...
... Hogarth . " His graphic representations are indeed books they have the teeming , fruitful , suggestive meaning of ... Hogarth's Rake's Progress together . The story , the moral , in both is nearly the same . The wild course of riot and ...
Сторінка 90
... - natic bans of the one , and the disjointed sayings and wild but pregnant allusions of the other , so wonderfully sympathize with that confusion , which they seem to assist in the production of , 90 ON THE GENIUS OF HOGARTH .
... - natic bans of the one , and the disjointed sayings and wild but pregnant allusions of the other , so wonderfully sympathize with that confusion , which they seem to assist in the production of , 90 ON THE GENIUS OF HOGARTH .
Сторінка 91
... by contributing to the general notion of its subject : - : - Madness , thou chaos of the brain , What art , that pleasure giv'st , and pain ? Tyranny of Fancy's reign ! Mechanic Fancy , that can ON THE GENIUS OF HOGARTH . 91.
... by contributing to the general notion of its subject : - : - Madness , thou chaos of the brain , What art , that pleasure giv'st , and pain ? Tyranny of Fancy's reign ! Mechanic Fancy , that can ON THE GENIUS OF HOGARTH . 91.
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1st Footman 1st Gentleman 1st Lady 1st Waiter 2d Footman 2d Gentleman 2d Lady 2d Waiter 4th Lady 5th Waiter acting appetite beauty Belvil better character countenance creature crime curiosity deformity delight express eye of mind face fancy feel genius Gin Lane give Hamlet hang heart Hogarth Hogsflesh honour horror human humour images imagination Industry and Idle innocence John Tomkins Landlord Lear less look Lord Madam Maid melancholy Melesinda Middleton mind mirth moral Mother Damnable nature ness never old lady Othello passion PERCY BYSSHE SHELLEY person PHILIP MASSINGER picture pity plate play pleasure poet poor Rake's Progress Reflector Satires scene seems sense servants Shakspeare shew shewn sion sort soul speak spectators stage suffer sweet Tamburlaine thing THOMAS MIDDLETON thought tion tragedy ture virtue WILLIAM ROWLEY Wither woman wonder
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Сторінка 19 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Сторінка 142 - But man is a noble animal, splendid in ashes, and pompous in the grave, solemnizing nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.
Сторінка 37 - Specimens of English Dramatic Poets who lived about the time of Shakspeare...
Сторінка 25 - The greatness of Lear is not in corporal dimension, but in intellectual : the explosions of his passion are terrible as a volcano : they are storms turning up and disclosing to the bottom that sea, his mind, with all its vast riches.
Сторінка 86 - Doctors, and their servants (so that the remnant of the body would not hold out a bone amongst so many hands), take what was left out of the grave, and burnt them to ashes, and cast them into Swift, a neighbouring brook, running hard by. Thus this brook...
Сторінка 64 - He would have made a great epic poet, if indeed he has not abundantly shown himself to be one ; for his Homer is not so properly a translation as the stories of Achilles and Ulysses re-written.
Сторінка 26 - What gesture shall we appropriate to this ? What has the voice or the eye to do with such things ? But the play is beyond all art, as the tamperings with it shew : it is too hard and stony : it must have love-scenes, and a happy ending.
Сторінка 22 - The truth is, the characters of Shakspeare are so much the objects of meditation rather than of interest or curiosity as to their actions, that while we are reading any of his great criminal characters, — Macbeth, Richard, even lago, — we think not so much of the crimes which they commit, as of the ambition, the aspiring spirit, the intellectual activity, which prompts them to overleap these moral fences.
Сторінка 183 - I am no way facetious, nor disposed for the mirth and galliardize of company; yet in one dream I can compose a whole comedy, behold the action, apprehend the jests, and laugh myself awake at the conceits thereof.
Сторінка 4 - But such is the instantaneous nature of the impressions which we take in at the eye and ear at a playhouse, compared with the slow apprehension often-times of the understanding in reading, that we are apt not only to sink the play-writer in the consideration which we pay to the actor, but even to identify in our minds in a perverse manner the actor with the character which he represents. It is difficult for a frequent play-goer to disembarrass the idea of Hamlet from the person and voice of Mr K[emble]....