Julius CaesarApplause, 1996 - 166 стор. These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C. |
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Сторінка 21
... Elizabethan interjection ) speaks harshly of the rabblement and their " stinking breath " and " sweaty nightcaps . " The scene is effec- tive enough in the theatre when he is played that way , but it should be noted that the only prose ...
... Elizabethan interjection ) speaks harshly of the rabblement and their " stinking breath " and " sweaty nightcaps . " The scene is effec- tive enough in the theatre when he is played that way , but it should be noted that the only prose ...
Сторінка 37
... Elizabethan stage offered few opportunities for phys- ical changes in the setting , and certainly nothing new is needed to play the coming scene , not even an added chair . With Cassius ' exit reinforcing the time , and Brutus entering ...
... Elizabethan stage offered few opportunities for phys- ical changes in the setting , and certainly nothing new is needed to play the coming scene , not even an added chair . With Cassius ' exit reinforcing the time , and Brutus entering ...
Сторінка 43
... Elizabethan stage , but usually in Shakespeare's plays , when ref- erence is made to costume , it is Elizabethan gar- ments which are described . If a production were to be done in Roman garb , dark cloaks could be worn in this scene ...
... Elizabethan stage , but usually in Shakespeare's plays , when ref- erence is made to costume , it is Elizabethan gar- ments which are described . If a production were to be done in Roman garb , dark cloaks could be worn in this scene ...
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Загальні терміни та фрази
actors Alarum answer Antony's Artemidorus asks audience battle bear beginning blood Brutus and Cassius Brutus's Caesar's body Caius Ligarius Calphurnia Capitol Casca Cato Cicero CINNA Claudio CLITUS COBBLER comes conspiracy conspirators crowd crown DARDANIUS dead death Decius director doth Elizabethan enemy Enter BRUTUS Exeunt Exit fear FLAVIUS follow FOURTH PLEBEIAN ghost gods grief hand hath hear heart honor ides of March Julius Caesar kill leave Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony means MESSALA Metellus Cimber move MURELLUS night noble Brutus Octavius oration Philippi Pindarus Plutarch Pompey Portia production Publius Roman Rome scene SECOND PLEBEIAN seems senators SERVANT Shakespeare shout sick soldier soliloquy SOOTHSAYER speak speech spirit Stage Directions stand Strato sword tell tent theatre theatrical thee things THIRD PLEBEIAN Titinius traitors Trebonius VARRUS Volumnius wife words wrong
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Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Обмежений попередній перегляд - 1998 |
Drama, Narrative and Moral Education: Exploring Traditional Tales in the ... Joe Winston Обмежений попередній перегляд - 1998 |