Gender in the Music Industry: Rock, Discourse and Girl PowerAshgate Publishing, Ltd., 2007 - 239 стор. Leonard addresses core issues relating to gender, rock and the music industry through a case study of 'female-centred' bands from the UK and US performing so called 'indie rock' from the 1990s to the present day. Using original interview material with both amateur and internationally renowned musicians, the book further addresses the fact that the voices of musicians have often been absent from music industry studies. Leonard's central aim is to progress from feminist scholarship that has documented and explored the experience of female musicians, to presenting an analytic discussion of gender and the music industry. In this way, the book engages directly with a number of under-researched areas: the impact of gender on the everyday life of performing musicians; gendered attitudes in music journalism, promotion and production; the responses and strategies developed by female performers; the feminist network riot grrrl and the succession of international festivals it inspired under the name of Ladyfest. |
Зміст
ix | 23 |
2 | 40 |
3 | 82 |
Strategies of performance | 89 |
5 | 112 |
6 | 122 |
7 | 142 |
Conclusion | 178 |
Interviews | 191 |
Select discography | 199 |
References | 207 |
229 | |
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Gender in the Music Industry: Rock, Discourse and Girl Power Marion Leonard Обмежений попередній перегляд - 2017 |
Gender in the Music Industry: Rock, Discourse and Girl Power Marion Leonard Попередній перегляд недоступний - 2017 |
Загальні терміни та фрази
activities album all-female analysis argues audience behaviour Bikini Kill Björk British chapter Cobain commented consider context Courtney Love critics culture discourse discussion England example fanzines female artists female musicians female performers female rock female-centred band feminine feminism feminist festival Frith and McRobbie gender gigs girl power guitar guitarist Huggy Bear identity indie band indie music indie rock Interview conducted involved in riot issues journalism journalists Kenickie Kill Rock Stars Ladyfest Liverpool London male masculinist masculinity Melody Maker music genres music industry music magazines music press notion offer participation particular personal communication photographs Popular Music presented produced promotion punk readers record company reflected response riot grrrl riot grrrl zines rock music rock musicians rock performers role Rolling Stone Routledge scene sexuality Slampt Spice Girls style tour underground understood vocalist women in rock zine writer
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Popular Music of Vietnam: The Politics of Remembering, the Economics of ... Dale A. Olsen Попередній перегляд недоступний - 2008 |