 | Robert Burns - 1800 - 520 стор.
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ? I... | |
 | 1828 - 722 стор.
...solitary •whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...owing. Are we a piece of machinery, which, like the . lv>li;m harp, passive, takes the impression of the passing accident ? or do these workings argue... | |
 | 1809 - 530 стор.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation of soul like the endiusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are we a piece... | |
 | Sir Egerton Brydges - 1805 - 908 стор.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers, in an autumnal morning, without feeling an elevation...Tell me, my dear friend, to what can this be owing? Arc we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the passing... | |
 | Robert Burns - 1806 - 506 стор.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ? I... | |
 | Robert Burns - 1806 - 622 стор.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...of soul like the enthusiasm of devotion or poetry. Te^l me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian... | |
 | John Evans - 1807 - 318 стор.
...cadence of a troop of grey-plovers ia an antumnal morning, without feeling an ele<' vation of sool like the enthusiasm of devotion, or poetry. Tell me, my dear friend, to wlmt can this he owing ? Are we a piece of machinery, which, like the Eolian harp, passive takes the... | |
 | 1809 - 530 стор.
...solhary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue' • something within us above the trodden clod... | |
 | Enos Bronson - 1809 - 458 стор.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ?"... | |
 | 1809 - 914 стор.
...plo\ ur in an autumnal mornincr, without feeling an elevation of soul like the enthusiasm of dévotion or poetry. Tell me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing... | |
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I never hear the loud solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. 
