emn, moral whipping—but do not attempt to castigare ridendo. Do not laugh at him writhing, and cause all the other boys in the school to laugh. Remember your own young days at school, my friend-the tingling cheeks, burning ears, bursting heart, and passion of desperate tears, with which you looked up, after having performed some blunder, whilst the doctor held you to public scorn before the class, and cracked his great clumsy jokes upon you-helpless, and a prisoner! Better the block itself, and the lictors, with their fasces of birchtwigs, than the maddening torture of those jokes! to do, and prefer thistles to pinc-ap- What, then, is the main grief you spoke of as annoying you the toothache in the Lord Mayor's jaw, the thorn in the cushion of the editorial chair? It is there. Ah! it stings Now, with respect to jokes and the present company of course excepted many people, perhaps most people, are as infants. They have little sense of humor. They don't like jokes. Raillery in writing annoys and offends them. The coarseness apart, I think I have met very, very few women who liked the banter of Swift and Fielding. Their simple, tender natures revolt at laughter. Is the satyr always a wicked brute at heart, and are they rightly shocked at his grin, his leer, his horns, hoofs, and ears? Fi donc, le vilain monstre me now as I write. It comes with with his shrieks, and his capering almost every morning's post. At crooked legs! Let him go and get a night I come home, and take my letpair of well-wadded black silk stock-ters up to bed (not daring to open ings, and pull them over those horrid them), and in the morning I find one, shanks; put a large gown and bands two, three thorns on my pillow. Three over beard and hide; and pour a I extracted yesterday; two I found dozen of lavender-water into his lawn this morning. They don't sting quite handkerchief, and cry, and never so sharply as they did; but a skin is make a joke again. It shall all be a skin, and they bite, after all, most highly-distilled poesy, and perfumed wickedly. It is all very fine to adsentiment, and gushing eloquence; vertise on the Magazine, "Contribuand the foot shan't peep out, and tions are only to be sent to Messrs. plague take it. Cover it up with the Smith, Elder, and Co., and not to the surplice. Out with your cambric, dear Editor's private residence." My dear ladies, and let us all whimper together. sir, how little you know man or Now, then, hand on heart, we de- woman kind, if you fancy they will clare that it is not the fire of adverse take that sort of warning! How am critics which afflicts or frightens the I to know (though, to be sure, I editorial bosom. They may be right; begin to know now), as I take the they may be rogues who have a per- letters off the tray, which of those ensonal spite; they may be dullards velopes contains a real bona fide letter, who kick and bray as their nature is and which a thorn? One of the best invitations this year I mistook for a thorn-letter, and kept it without openThis is what I call a thorning. letter: - "Camberwell, June 4. "SIR, May I hope, may I entreat, that you will favor me by perusing the enclosed lines, and that they may be found worthy of insertion in "The Cornhill Magazine." We have known better days, A very common way with these petitioners is to begin with a fine flummery about the merits and eminent genius of the person whom they are addressing. But this artifice, I state publicly, is of no avail. When I see that kind of herb, I know the snake within it, and fling it away before it has time to sting. Away, reptile, to the waste-paper basket, and thence to the flames! sir. I have a sick and widowed mother to maintain, and little brothers and sisters who look to me. I do my utmost as a governess to support them. I toil at night when they are at rest, and my own hand and brain are alike tired. If I could add but a little to our means by my pen, many of my poor invalid's wants might be supplied, and I could procure for her comforts to which she is now a stranger. Heaven But of these disappointed people, knows it is not for want of will or for want some take their disappointment and of energy on my part, that she is now in Some hate and hold ill-health, and our little household almost meekly bear it. without bread. Do-do cast a kind glance you their enemy because you could over my poem, and if you can help us, the not be their friend. Some, furious widow, the orphans, will bless you! I and envious, say, "Who is this man remain, sir, in anxious expectancy, who refuses what I offer, and how "Your faithful servant, "S. S. S." dares he, the conceited coxcomb, to deny my merit? And enclosed is a little poem or two, and an envelope with its penny stamp - heaven help us! - and the writer's name and address. Sometimes my letters contain not mere thorns, but bludgeons. Here are two choice slips from that noble Irish oak, which has more than once supplied alpeens for this meek and unoffending skull : "Theatre Royal, Donnybrook. "SIR, I have just finished_reading the first portion of your Tale, Lovel the Widower, and am much surprised at the unwarrantable strictures you pass therein on the corps de ballet. "I have been for more than ten years connected with the theatrical profession, and I beg to assure you that the majority of the corps de ballet are virtuous, wellconducted girls, and, consequently, that snug cottages are not taken for them in the Regent's Park. Now you see what I mean by a thorn. Here is the case put with true female logic. "I am poor; I am good; I am ill; I work hard; I have a sick mother and hungry brothers and sisters dependent on me. You can help us if you will." And then I look at the paper, with the thousandth part of a faint hope that it may be suitable, and I find it won't do and I knew it wouldn't do and why is this poor lady to appeal to my pity and bring her poor little ones kneeling to my bedside, and calling for bread which I can give them if I choose ? No day passes but that argument ad misericordiam is used. Day and night that sad voice is crying out for help. Thrice it appealed to me yesterday. Twice this morning it cried to me: and I have no doubt when I go to get my hat, I shall find it with its piteous face and its pale "I am, sir, your obedient servant, family about it, waiting for me in the A. B. C. hall. One of the immense advantages"The Editor of The Cornhill Magazine."" "I also have to inform you that theatrical managers are in the habit of speaking good English, possibly better English than authors. "You either know nothing of the subject in question, or you assert a wilful falsehood. "I am happy to say that the characters of the corps de ballet, as also those of actors and actresses, are superior to the snarlings of dyspeptic libellers, or the spiteful attacks and brutum fulmen of ephemeral authors. "Theatre Royal, Donnybrook. "SIR,- — I have just read, in The Cornhill Magazine,' for January, the first por: tion of a Tale written by you, and entitled Lovel the Widower. "In the production in question you employ all your malicious spite (and you have great capabilities that way) in trying to degrade the character of the corps de ballet. When you imply that the majority of ballet-girls have villas taken for them in the Regent's Park, I say you tell a deliberate falsehood. "Having been brought up to the stage from infancy, and, though now an actress, having been seven years principal dancer at the opera, I am competent to speak on the subject. I am only surprised that so vile a libeller as yourself should be allowed to preside at the Dramatic Fund dinner on the 22d instant. I think it would be much better if you were to reform your own life, instead of telling lies of those who are immeasurably your superiors. "Yours in supreme disgust, The signatures of the respected writers are altered, and for the site of their Theatre Royal an adjacent place is named, which (as I may have been falsely informed) used to be famous for quarrels, thumps, and broken heads. But, I say, is this an easy chair to sit on, when you are liable to have a pair of such shillelaghs flung at it? And, prithee, what was all the quarrel about? In the little history of "Lovel the Widower" I described, and brought to condign punishment, a certain wretch of a ballet-dancer, who lived splendidly for a while on illgotten gains, had an accident, and lost her beauty, and died poor, deserted, ugly, and every way odious. In the same page, other little balletdancers are described, wearing homely clothing, doing their duty, and carrying their humble savings to the family at home. But nothing will content my dear correspondents but to have me declare that the majority of ballet-dancers have villas in the Regent's Park, and to convict me of "deliberate falsehood." Suppose, for instance, I had chosen to introduce a red-haired washerwoman into a story? I might get an expostulatory letter saying, "Sir, in stating that the ma |jority of washerwomen are red-haired, you are a liar! and you had best not speak of ladies who are immeasurably your superiors." Or suppose I had ventured to describe an illiterate haberdasher? One of the craft might write to me, 'Sir, in describing haberdashers as illiterate, you utter a wilful falsehood. Haberdashers use much better English than authors." It is a mistake, to be sure. I have never said what my correspondents say I say. There is the text under their noses, but what if they choose to read it their own way? 'Hurroo, lads! Here's for a fight. There's a bald head peeping out of the hut. There's a bald head! It must be Tim Malone's." And whack! come down both the bludgeons at once. Ah me! we wound where we never intended to strike; we create anger where we never meant harm; and these thoughts are the thorns in our Cushion. Out of mere malignity, I suppose, there is no man who would like to make enemies. But here, in this editorial business, you can't do otherwise: and a queer, sad, strange, bitter thought it is, that must cross the mind of many a public man: "Do what I will, be innocent or spiteful, be generous or cruel, there are A and B, and C and D, who will hate me to the end of the chapterto the chapter's end -to the Finis of the page—when hate, and envy, and fortune, and disappointment shall be over." stabs which are so painful to the present gentle writer. Your epigraph, my dear P., shows your kind and artless nature; but don't you see it is of no use? People who are bent upon assassinating you in the manner mentioned will write "No thorn " upon their envelopes too; and you open the case, and presently out flies a poisoned stiletto, which springs into a man's bosom, and makes the wretch howl with anguish. When the bailiffs are after a man, they adopt all sorts of disguises, pop out on him from all conceivable corners, and tap his miserable shoulder. His wife is taken ill; his sweetheart, who remarked his brilliant, too brilliant appearance at the Hyde Park review, will meet him at Cremorne, or where you will. The old friend who has owed him that money these five years will meet him at so-and-so and pay. By one bait or other the victim is hooked, netted, landed, and down goes the basket-lid. It is not your wife, your sweetheart, your friend, who is going to pay you. It is Mr. Nab the bailiff. You know you are caught. You are off in a cab to Chancery Lane. You know, I say? Why should you know? I make no manner of doubt you never were taken by a bailiff in your life. I never was. I have been in two or three debtors' prisons, but not on my own account. Goodness be praised! I mean you can't escape your lot; and Nab only stands here metaphorically as the watchful, certain, and untiring officer of Mr. Sheriff Fate. Why, my dear Primrose, this morning along with your letter, comes another, bearing the well known superscription of another old friend, which I open without the least suspicion, and what do I find? A few lines from my friend Johnson, it is true, but they are written on a page covered with feminine handwriting. Dear Mr. Johnson,' says the writer, "I have just been perusing with delight a most charming tale by the Archbishop of Cambray. It is called Telemachus;' and I think it would be admirably suited to The Cornhill Magazine.' As you know the Editor, will you have the great kindness, dear Mr. Johnson, to communicate with him personally (as that is much better than writing in a roundabout way to the Publishers, and waiting goodness knows how long for an answer), and state my readiness to translate this excellent and instructive story. I do not wish to breathe a word against 'Lovel Parsonage,' ' Framley the Widower,' or any of the novels which have appeared in 'The Cornhill Magazine,' but I am sure Telemachus' is as good as new to English readers, and in point of interest and morality far," &c., &c., &c. There it is. I am stabbed through Johnson. "He has lent himself to this attack on me. He is weak about women. Other strong men are. Не submits to the common lot, poor fellow. In my reply I do not use a word of unkindness. I write him back gently that I fear "Telemachus" won't suit us. He can send the letter on to his fair correspondent. But however soft the answer, I question whether the wrath will be turned away. Will there not be a coolness between him and the lady? and is it not possible that henceforth her fine eyes will look with darkling glauces upon the pretty orange cover of our magazine? Certain writers, they say, have a bad opinion of women. Now am I very whimsical in supposing that this disappointed candidate will be hurt at her rejection, and angry or cast down according to her nature? "Angry, indeed! says Juno, gathering up her purple robes and royal raiment. "Sorry, indeed!" cries Minerva, lacing on her corselet again, and scowling under her helmet. (I imagine the well known Apple case has just been argued and decided.) "Hurt, forsooth! Do you suppose we care for the opinion of that hobnailed lout of a Paris? Do you suppose that I, the Goddess of Wisdom, can't make allowances for mortal ig. norance, and am so base as to bear | malice against a poor creature who knows no better? You little know the goddess nature when you dare to insinuate that our divine minds are actuated by motives so base. A love of justice influences us. We are above mean revenge. We are too magnanimous to be angry at the award of such a judge in favor of such a creature. And rustling out their skirts, the ladies walk away together. This is all very well. You are bound to believe them. They are actuated by no hostility: not they. They bear no malice-of course not. But when the Trojan war occurs presently, which side will they take? Many brave souls will be sent to Hades. Hector will perish. Poor old Priam's bald numskull will be cracked, and Troy town will burn, because Paris prefers golden-haired Venus to ox-eyed Juno and gray-eyed Minerva. The last Essay of this Roundabout Series, describing the griefs and miseries of the editorial chair, was written, as the kind reader will acknowledge, in a mild and gentle, not in a warlike or satirical spirit. I showed how cudgels were applied; but surely the meek object of persecution hit no blows in return. The beating did not hurt much, and the person assaulted could afford to keep his goodhumor; indeed, I admired that brave though illogical little actress, of the T. R. D-bl-n, for her fiery vindication of her profession's honor. I assure her I had no intention to tell - well, let us say, monosyllables about my superiors: and I wish her nothing but well, and when Macmahon (or shall it be Mulligan?) Roi d'Irlande ascends his throne, I hope she may be appointed professor of English to the princesses of the royal house. Nuper-in former days-I too have nilitated; sometimes, as I ncw think, unjustly; but always I vow, without personal rancor. Which of us has not idle words to recall, flippant jokes to regret? Have you never committed an imprudence? Have you never had a dispute, and I had hardly sent that last Round- |