Mastering Movement: The Life and Work of Rudolf LabanPsychology Press, 2001 - 268 стор. Like Picasso in painting, Stravinsky in music, or Stanislavski in theatre, Rudolf Laban (1879–1958) has been a seminal influence in contemporary arts. This is the first major study of Laban's movement theories and practice, exploring the ideas on mastering movement and giving the reader a practical understanding of balance and harmony in the human body – the core of Laban's thinking. John Hodgson looks at the different phases of Laban's life and writings to show that Laban's thoughts about human movement and its mastery and control are the building blocks for a practical understanding of how the human body can create both beauty and purity through movement. |
Зміст
I | 8 |
The Fields of Labans Enquiry | 16 |
The Nature of Labans Thinking and Writing | 25 |
A Language Barrier | 33 |
Part Two Labans Ideas in Context | 45 |
Theoretical Foundations | 55 |
Colleagues and the Exchange of Ideas | 79 |
Part Four Clarifying Labans Basic Ideas | 165 |
The Voice Its Fitness and Health | 211 |
Education Experience and Expression | 214 |
Lovemaking and Sex | 219 |
Dance | 222 |
Drama | 227 |
Work Recreation and Worship | 240 |
Therapy | 247 |
253 | |
The Universal Pattern Underlying Beliefs | 169 |
The Human Pattern Fundamental Theory | 173 |
Social Ideas and Related Practice | 193 |
Part Five Turning Theory into Practice | 199 |
Preparatory Process Acquiring Preliminary Skills | 203 |
The Body Its Fitness and Health | 205 |
257 | |
Select Bibliography | 261 |
263 | |
266 | |
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Mastering Movement: The Life and Work of Rudolf Laban John Hodgson Обмежений попередній перегляд - 2016 |
Mastering Movement: The Life and Work of Rudolf Laban John Hodgson Обмежений попередній перегляд - 2016 |
Загальні терміни та фрази
abstract action activity actor Addlestone analysis approach areas Art of Movement artist Ascona aspects awareness balance ballet basic Bayreuth Bereska Berlin Berlin State Opera body breathing centre Chapter choreographer Choreutics communication creative Dalcroze dancer Dancer's World Dartington Delsarte developing direct discover drama dynamic effort and recovery elements emotional Eurhythmics experience explored expression feeling Festival flexible flow gesture Gymnastics harmony human icosahedron identify individual influence inner involved Joan Littlewood kinds Kinesphere Kinetographie Laban Knust Kurt Jooss Laban's ideas Laban's principles Labanotation Lisa Ullmann living Mary Wigman Mastery of Movement ment mental mind Modern Educational Dance motion factors move movement choir movement patterns natural notation Noverre observation performed person physical Plato play posture practice qualities relation relationship rhythm Rudolf Laban Second World War sense shapes Siegfried Wagner space task teacher tension theatre theory therapy thinking throughout understanding voice whole writing