The Challenge of Keats: Bicentenary Essays 1795-1995Allan C. Christensen Rodopi, 2000 - 313 стор. Two centuries after his birth in October 1795, John Keats occupies a secure place in the canon of great literature of the western world. But for much of the nineteenth century and even during periods of the twentieth century, his right to such a position was not so firmly established. On the bicentenary of Keats's birth, various Italian scholars, along with specialists from English-speaking countries, decided to take advantage of the occasion not only to render homage to a poet whose greatness now seems unchallenged but also to accept his continuing challenge to his readers. The contributors to this volume re-examine some of the harshest criticisms of Keats, from Byron onwards, and some of the unconditional exaltations of the poet in order to discover possible sites between the two for new critical impulses and fertile re-evaluations of his achievement. Under five headings - Romantic Truth, Textual Readings, History and Myth, Keats and Other Poets and Painting and Music - the essays in this book appraise the historical-cultural contexts that nurtured Keats's creativity; discuss the influences and interrelationships among Keats and other poets; and consider Keats's artistry as revealed in the analyses of particular texts. |
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Результати 1-5 із 65
Сторінка 2
... writers - Heine , Schiller , Goethe and others David Fuller argues for a correction of an inappropriately post - modern reading of Keats . The main thrust of his trenchant discussion is an attack on Jerome McGann for imposing his own ...
... writers - Heine , Schiller , Goethe and others David Fuller argues for a correction of an inappropriately post - modern reading of Keats . The main thrust of his trenchant discussion is an attack on Jerome McGann for imposing his own ...
Сторінка 10
... writers on their own terms , especially about the claims of imagination to transcend the contingencies of history ; and modern criticism before McGann has uncritically absorbed Romanticism's own self - representations . Whereas the ...
... writers on their own terms , especially about the claims of imagination to transcend the contingencies of history ; and modern criticism before McGann has uncritically absorbed Romanticism's own self - representations . Whereas the ...
Сторінка 11
... writers whom the Romantics most influenced ( such as Arnold or Yeats ) , remained profoundly oppositional to the main currents of the following period . This opposition disappeared , not by being absorbed , but by being cast out , by ...
... writers whom the Romantics most influenced ( such as Arnold or Yeats ) , remained profoundly oppositional to the main currents of the following period . This opposition disappeared , not by being absorbed , but by being cast out , by ...
Сторінка 12
... writer , and some of his work Heine - willing , in the spirit of free enquiry he genuinely wished to foster , to ... writing's bibliography that you understand its social relationships . When Heine published Die romantische Schule in ...
... writer , and some of his work Heine - willing , in the spirit of free enquiry he genuinely wished to foster , to ... writing's bibliography that you understand its social relationships . When Heine published Die romantische Schule in ...
Сторінка 13
... writing in the year after the death of Goethe , and his work is a polemic written into the literary and cultural power vacuum created by that death . Heine's aim was not to offer a dispassionate characterization of German Romanticism ...
... writing in the year after the death of Goethe , and his work is a polemic written into the literary and cultural power vacuum created by that death . Heine's aim was not to offer a dispassionate characterization of German Romanticism ...
Зміст
1 | |
3 | |
5 | |
9 | |
27 | |
41 | |
NICHOLAS | 61 |
VANNA GENTILI | 79 |
CHRISTENSEN | 179 |
VALENTINA POGGI | 186 |
ROBINSON | 195 |
PETER VASSALLO | 209 |
LILLA MARIA CRISAFULLI JONES | 219 |
MARIAGRAZIA BELLORINI | 237 |
ALEX R FALZON | 249 |
ENRICO REGGIANI | 257 |
JOHNSON | 95 |
ANNA MARIA PIGLIONICA | 113 |
MICHAEL ONEILL | 125 |
LUISA CONTI CAMAIORA | 161 |
Prohibition of Desire | 277 |
NOTES ON CONTRIBUTORS | 303 |
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Challenge of Keats: Bicentenary Essays, 1795-1995 Allan C. Christensen Обмежений попередній перегляд - 2000 |
The Challenge of Keats: Bicentenary Essays 1795-1995 Allan C. Christensen Попередній перегляд недоступний - 2000 |
Загальні терміни та фрази
aesthetic anagrammatic Apollo appear beauty becomes Belle Dame Browning Chapman Charles Cowden Clarke Clare Cockney School Coleridge Cortez criticism Dante Dante's death dream Endymion English essay experience expression fact Fall of Hyperion Fanny Brawne feeling George Keatses Gittings Grecian Urn Hazlitt Heine's Homer human Hunt's ideology imagination Jerome McGann John Hamilton Reynolds John Keats Keats's letter Keats's poems Keats's poetry Keats's sonnet Keatsian Kundera Lamia language Leigh Hunt letter to Bailey Letter to Reynolds literary London look Lycius lyric McGann Milton Moneta nature Negative Capability Nightingale octave Oxford passion pattern perception Petrarchan philosopher poet's poetic political quatrain reader reading rhymes Robert Gittings Rollins Romantic poets Romanticism seems sense sestet Shakespeare Shakespearean Shakespearean sonnet Shelley Shelley's Silent Sleep and Poetry sound stanza story suggest Taylor things thought truth verse vision voice W.B. Yeats Wilde words Wordsworth writing written wrote Yeats
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Сторінка 83 - Homer ruled as his demesne ; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold : Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He...
Сторінка 32 - snow is white" is true if, and only if, snow is white.
Сторінка 33 - O fret not after knowledge — I have none, And yet my song comes native with the warmth. O fret not after knowledge — I have none, And yet the Evening listens. He who saddens At thought of idleness cannot be idle, And he's awake who thinks himself asleep.
Сторінка 33 - And yet such a fate can only befall those who delight in Sensation, rather than hunger, as you do, after Truth. Adam's dream will do here, and seems to be a conviction that Imagination and its empyreal reflection is the same as human life and its spiritual repetition.
Сторінка 75 - Now it appears to me that almost any Man may like the spider spin from his own inwards his own airy Citadel — the points of leaves and twigs on which the spider begins her work are few, and she fills the air with a beautiful circuiting.
Сторінка 153 - ... shade. It lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated — it has as much delight in conceiving an lago as an Imogen.
Сторінка 28 - What though I am not wealthy in the dower Of spanning wisdom; though I do not know The shiftings of the mighty winds that blow Hither and thither all the changing thoughts Of man...
Сторінка 188 - Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?
Сторінка 152 - Though a quarrel in the Streets is a thing to be hated, the energies displayed in it are fine ; the commonest Man shows a grace in his quarrel. By a superior Being our reasonings may take the same tone — though erroneous they may be fine. This is the very thing in which consists Poetry...
Сторінка 88 - I behold, upon the night's starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon...