The Challenge of Keats: Bicentenary Essays 1795-1995
Two centuries after his birth in October 1795, John Keats occupies a secure place in the canon of great literature of the western world. But for much of the nineteenth century and even during periods of the twentieth century, his right to such a position was not so firmly established. On the bicentenary of Keats's birth, various Italian scholars, along with specialists from English-speaking countries, decided to take advantage of the occasion not only to render homage to a poet whose greatness now seems unchallenged but also to accept his continuing challenge to his readers. The contributors to this volume re-examine some of the harshest criticisms of Keats, from Byron onwards, and some of the unconditional exaltations of the poet in order to discover possible sites between the two for new critical impulses and fertile re-evaluations of his achievement. Under five headings - Romantic Truth, Textual Readings, History and Myth, Keats and Other Poets and Painting and Music - the essays in this book appraise the historical-cultural contexts that nurtured Keats's creativity; discuss the influences and interrelationships among Keats and other poets; and consider Keats's artistry as revealed in the analyses of particular texts.
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LILLA MARIA CRISAFULLI JONES
ALEX R FALZON
ANNA MARIA PIGLIONICA
LUISA CONTI CAMAIORA
Prohibition of Desire
NOTES ON CONTRIBUTORS
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aesthetic appear beauty becomes beginning Browning character Clare close complete concerned considered continues criticism death effect Elizabeth Barrett Browning Endymion English essay example experience expression fact Fall feeling figure final George give green hand Hazlitt historical Homer human Hunt Hyperion idea imagination Indicator intense interest Italy John Keats Keats's knowledge Lamia language later less letter literary live London look March McGann means mind nature never object observes opening passion pattern perception perhaps poem poet poet's poetic poetry political possible present published reader reading reason reference relationship Reynolds rhymes Robert Romantic Romanticism seems sense Shelley Shelley's sonnet sound speak suggest Taylor things thought true truth turn vision voice volume whole wish writing written wrote
Сторінка 83 - Homer ruled as his demesne ; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold : Then felt I like some watcher of the skies When a new planet swims into his ken ; Or like stout Cortez when with eagle eyes He...
Сторінка 33 - O fret not after knowledge — I have none, And yet my song comes native with the warmth. O fret not after knowledge — I have none, And yet the Evening listens. He who saddens At thought of idleness cannot be idle, And he's awake who thinks himself asleep.
Сторінка 33 - And yet such a fate can only befall those who delight in Sensation, rather than hunger, as you do, after Truth. Adam's dream will do here, and seems to be a conviction that Imagination and its empyreal reflection is the same as human life and its spiritual repetition.
Сторінка 75 - Now it appears to me that almost any Man may like the spider spin from his own inwards his own airy Citadel — the points of leaves and twigs on which the spider begins her work are few, and she fills the air with a beautiful circuiting.
Сторінка 153 - ... shade. It lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated — it has as much delight in conceiving an lago as an Imogen.
Сторінка 28 - What though I am not wealthy in the dower Of spanning wisdom; though I do not know The shiftings of the mighty winds that blow Hither and thither all the changing thoughts Of man...
Сторінка 188 - Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?
Сторінка 152 - Though a quarrel in the Streets is a thing to be hated, the energies displayed in it are fine ; the commonest Man shows a grace in his quarrel. By a superior Being our reasonings may take the same tone — though erroneous they may be fine. This is the very thing in which consists Poetry...
Сторінка 88 - I behold, upon the night's starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon...