Sir Thomas More, Or, Colloquies on the Progress and Prospects of Society

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Cambridge Scholars Publishing, 2012 - 202 стор.
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: COLLOQUY III. THE DRUIDICAL STONES.-VISITATIONS OF PESTILENCE. Inclination would lead me to hibernate during half the year in this uncomfortable climate of Great Britain, where few men who have tasted the enjoyments of a better would willingly take up their abode, if it were not for the habits, and still more for the ties and duties which root us to our native soil. I envy the Turks for their sedentary constitutions, which seem no more to require exercise than an oyster does, or a toad in a stone. In this respect, I am by disposition as true a Turk as the Grand Seignior himself; and approach much nearer to one in the habit of inaction, than any person of my acquaintance. Willing however as I should be to believe, that any thing which is habitually necessary for a sound body, would be unerringly indicated by an habitual disposition for it, and that if exercise were as needfulas food for the preservation of the animal economy, the desire of motion would recur not less regularly than hunger and thirst, it is a theory which will not bear the test; and this I know by experience. On a grey sober day, therefore, and in a tone of mind quite accordant with the season, I went out unwillingly to take the air, though if taking physic would have answered the same purpose, the dose would have been preferred as the shortest, and for that reason the least unpleasant remedy. Even on such occasions as this, it is desirable to propose to oneself some object for the satisfaction of accomplishing it, and to set out with the intention of reaching some fixed point, though it should be nothing better than a mile-stone, or a directing post. So I walked to the Circle of Stones upon the Penrith road, because there is a long hill upon the way which would give the muscles some work to perform; and b...

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Robert Southey was born on August 12, 1774. In 1788, Southey entered the Westminster school at the expense of his uncle. One year after his admission to Westminster, the French Revolution began. Southey was fifteen years old at the time, and like many young people of his day, he passionately sympathized with the high ideals of the French cause. During these years, Southey befriended both Charles W. W. Wynn and Grosvenor Charles Bedford. Bedford and Wynn began a publication in 1792, The Flagellant, which Southey later joined as writer and co-editor. He submitted an anonymous article on "Flogging," in which he claimed that the school's disciplinary practice of flogging students was satanic. Dr. Vincent, the headmaster at the school, viewed the essay not as the product of a boy's imagination, but as a direct attack on both the school and the British Constitution. Eventually, Southey came forward and offered his apology, but was nonetheless expelled from school. Southey was of course then refused admission at Christ Church and had to attend Balliol College at Oxford. In order to escape life at Oxford and postpone making his decision to join the clergy, Southey took some time off from school in the autumn of 1793. Southey eventually left Oxford after his second term to be married. Shortly after leaving, he crossed paths with Samuel Taylor Coleridge, with whom he formed a friendship which would mold his early life and continue until his later years. In 1794, Southey, Coleridge, and several mutual friends came up with the idea of "Pantisocracy," or "equal rule of all." Their goal was to emigrate to America to practice Pantisocracy by forming a communal, utopian settlement where everyone would live in harmony and brotherhood. In order to raise money for this, Southey and Coleridge joined to write drama and political propaganda, and to write and deliver weekly lectures on politics and history. At this time, they co-wrote the drama entitled "The Fall of Robespierre," which was published by a radical printer at Cambridge under Coleridge's name. This same year Southey wrote Wat Tyler, based on the Peasant's Revolt of 1381. Unfortunately, Wat Tyler was not published, the scheme to emigrate to America to practice "Pantisocracy" never came to fruition, and his friendship with Coleridge became increasingly strained. The relationship deteriorated further when Coleridge and his wife began having marital difficulties. Coleridge eventually left his wife and Southey was forced to support both families. Southey then accepted Charles Wynn's offer to set up an annuity for him if he would study law. Southey began to study law by day and write poetry and prose at night. He drifted entirely away from his legal studies and began to concentrate solely on his writing. Between 1796 and 1805 Southey wrote Joan of Arc: An Epic Poem, Thalaba the Destroyer, Madoc, and several volumes of shorter verse. He also wrote numerous ballads, made frequent contributions to The Monthly Magazine and published the popular Letters Written During a Short Residence in Spain and Portugal. After several years of estrangement from Coleridge, the two poets collaborated on the Devil's Walk in 1799. Although Southey remained a champion of the poor and became an outspoken adversary of slavery, he began to cherish the maintenance of social order. After becoming an outspoken member of the Tory party, Southey's changing views led him to accept a position as Britain's Poet Laureate in 1813, a position that he held for 30 years. Twenty-three years after Wat Tyler was written, it suddenly resurfaced into a highly charged political atmosphere in which an older, more conservative Southey was at the forefront. Upon learning that Southey was the author, his adversaries, such as William Hazlitt and William Smith, seized upon the play as an example of his hypocrisy, while his friends, Wynn, Coleridge, and Wordsworth, defended him vehemently. Despite the effects of Wat Tyler's appearance on Southey's reputation, it sold over 60,000 copies and was reprinted, making it one of his most well-read and commercially successful works. Southey eventually incorporated the play into his complete works in 1838. Although the reappearance of the poem forced Southey to confront the dissipation of his youthful ideals, it did not significantly affect his career as an esteemed poet and writer. Southey remained Poet Laureate of Britain for 30 years, and eventually died in 1843.

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