The Art of Authorial Presence: Hawthorne's Provincial Tales
Duke University Press, 1993 - 319 стор.
The critical literary world has spent a wealth of thought and words on the question of Hawthorne himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the "Hawthorne question" to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The Hawthorne who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his early tales; instead he is revealed to be the skillful manipulator of that narrative voice, an author at an ironic distance from the tales he tells.
By focusing on the provincial tales as they were originally conceived--as a narrative cycle--Thompson is able to recover intertextual references that reveal Hawthorne's preoccupation with framing strategies and variations on authorial presence. The author shows how Hawthorne deliberately constructs sentimental narratives, only to deconstruct them. Thompson's analysis provides a new aesthetic context for understanding the whole shape of Hawthorne's career as well as the narrative, ethical, and historical issues within individual works.
Revisionary in its view of one of America's greatest authors, The Art of Authorial Presence also offers invaluable insight into the problems of narratology and historiography, ethics and psychology, romanticism and idealism, and the cultural myths of America.
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actual aesthetic Alice Doane's Appeal allegory ambiguity American artist audience author-narrator becomes calls central chapter character Colacurcio concept conventional critics cultural dead described dialogical discussion double dream early effect England especially example experience fact father fiction figure final follow frame genre gives gothic Gray Champion Hawthorne Hawthorne's Hills historical human idea imagination implied important interpretation introduction ironic irony italics kind Kinsman least light literary Major Molineux manuscript meaning metafictional mind moral narrative narrator narrator's nature negative notes Oberon observes opening parallels past perhaps political present Press problem provincial psychological Puritan Quaker question reader reading reality reference relation representative Robin romance says scene seems sense side sketches specific Story Teller structure suggests symbolic takes tale telling theme tion tradition truth Twice-told University vision whole woman writes young
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