author has polluted his paper in other parts of the same play. The princess says, "Cal. Being alone, Penthea, you now have granted The opportunity you sought; and might At all times have commanded. Which I shall owe your goodness even in death for: Glories Of human greatness are but pleasing dreams, Doth frame an idol, are unconstant friends, Cal. Speak; and enjoy it. After leaving her fame, her youth, &c. in some very pretty but fantastical verses, she proceeds 64 66 FORD-HIS WITCH OF EDMONTON. 'Pen. 'Tis long agone, since first I lost my heart; I should have given that too; But instead Cal. What say'st thou? I must leave the world I am a sister, though to me this brother Hath been, you know, unkind: Oh, most unkind!" vol. i. 291-293. There are passages of equal power and beauty in the plays called "Love's Sacrifice," "The Lover's Melancholy," and in" Fancies Chaste and Noble." In " Perkin Warbeck," there is a more uniform and sustained elevation of style. But we pass all those over, to give our readers a word or two from "The Witch of Edmonton," a drama founded upon the recent execution of a miserable old woman for that fashionable offence; and in which the devil, in the shape of a black dog, is a principal performer! The greater part of the play, in which Ford, was assisted by Dekkar and Rowley, is of course utterly absurd and contemptible-though not without its value as a memorial of the strange superstition of the age; but it contains some scenes of great interest and beauty, though written in a lower and more familiar tone than most of those we have already exhibited. As a specimen of the range of the author's talents, we shall present our readers with one of these. Frank Thorney had privately married a woman of inferior rank; and is afterwards strongly urged by his father, and his own inclination, to take a second wife, in the person of a rich yeoman's daughter whose affections were fixed upon him. After taking this unjustifiable step, he is naturally troubled with certain inward compunctions, which manifest themselves in his exterior, and excite the apprehensions of his innocent bride. It is her dialogue with him that we are now to extract; and we think the picture that it affords of unassuming innocence and singleness of heart, is drawn with great truth, and even elegance. She begins with asking him why he changes countenance so suddenly. He answers 66 Who, I? For nothing. Frank. Sus. In me? In you, sir. Indeed you shall not shut me from partaking Frank. And I all thine. yours. You are not; if you keep The least grief from me: but I know the cause; It grows from me. Frank. Sus. In me or my behaviour; you're not kind Silly and plain; more strange to those contents Sus. I know I do; knew I as well in what, If I have been immodest or too bold, Speak't in a frown; if peevishly too nice, Frank. Dost weep now? Sus. Wherefore You, sweet, have the power To make me passionate as an April day. Now smile, then weep; now pale, then crimson red. You are the powerful moon of my blood's sea, Thou'rt all perfection: Diana herself Swells in thy thoughts and moderates thy beauty. Feathering love-shafts, whose golden heads he dips Sus. Come, come: these golden strings of flattery Frank. Then look here: Frank. Heaven shield it! Where? In mine own bosom! here the cause has root; The poisoned leeches twist about my heart, And will, I hope, confound me. Sus. You speak riddles." vol. ii. p. 437-440. The unfortunate bigamist afterwards resolves to desert this innocent creature: but, in the act of their parting, is moved by the devil, who rubs against him in the shape of a dog! to murder her. We are tempted to give the greater part of this scene, just to show how much beauty of diction and natural expression of character may be combined with the most revolting and degrading absurdities. The unhappy bridegroom saysWhy would you delay? we have no other business Now, but to part. 66 Sus. And will not that, sweet-heart, ask a long time? That e'er I took in hand. Fie, fie! why look, Frank. wilt return? [Kisses her. [Kisses her.] Yet All questions of my journey, my stay, employment, Sus. Frank. What is't? Sus. But this request That I may bring you thro' one pasture more, FARTHER SCENES. Frank. Why, 'tis granted: come, walk then. Sus. Nay, not too fast: They say, slow things have best perfection; The churlish storm makes mischief with his bounty. Is out yet will you leave me? Sus. You'll make me stay for ever, What? so churlishly? Rather than part with such a sound from you. Frank. Why, you almost anger me.—- 'Pray you begone. You have no company, and 'tis very early; Some hurt may betide you homewards. Sus. To leave you is the greatest I can suffer. Tush! I fear none: 67 Here the dog rubs against him; and, after some more talk, he stabs her! 66 Sus. Why then I thank you ; Frank. Not yet mortal? I would not linger you, [Stabs her again. Sus. Now heaven reward you ne'er the worse for me! I did not think that death had been so sweet, Nor I so apt to love him. I could ne'er die better, For I'm in charity with all the world. Let me for once be thine example, heaven; [Dies." vol. ii. p. 452--455. We cannot afford any more space for Mr. Ford; and what we have said, and what we have shown of him, will probably be thought enough, both by those who are disposed to scoff, and those who are inclined to admire. It is but fair, however, to intimate, that a thorough perusal of his works will afford more exercise to the former disposition than to the latter. His faults are glaring and abundant; but we have not thought it necessary to produce any specimens of them, because they |