Approaching Apocalypse: Unveiling Revelation in Victorian WritingBucknell University Press, 2007 - 228 стор. A great deal of Victorian literature recycles themes, images, and language from apocalyptic literature, in what might be described as an affinity with the genre. With this affinity in mind, Approaching Apocalypse examines certain structuring oppositions that shape apocalyptic literature, and sets out to decode their significance for Victorian writing. They are: human/inhuman, desert/city, veiled/revealed, time/eternal, and this world/other world. The five main chapters of the book each deal with one of these opposites, reading a wide range of Victorian texts, including novels, poems, plays, sermons, and other less easily categorized texts. At the heart of each chapter is an extended reading of one or two texts selected for their particularly telling insights into the relationship between Victorian writing and the Book of Revelation. |
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Сторінка 15
... refers to itself as prophecy ( a self - attribution lacking in other so - called apocalypses ) . Structurally it is far more complex than any other known apocalyptic text , whether Jewish or Christian , and it lacks the pessimism ...
... refers to itself as prophecy ( a self - attribution lacking in other so - called apocalypses ) . Structurally it is far more complex than any other known apocalyptic text , whether Jewish or Christian , and it lacks the pessimism ...
Сторінка 26
... refers to Rochester at this point as " what I love best on earth " ( emphasis added ) , as though to differentiate between different modes of construing narrative closure.23 The fact that Jane has rejected a share in St. John's destiny ...
... refers to Rochester at this point as " what I love best on earth " ( emphasis added ) , as though to differentiate between different modes of construing narrative closure.23 The fact that Jane has rejected a share in St. John's destiny ...
Сторінка 27
... usage . When , for example , Elizabeth Barrett Browning refers to " some trans- formed apocalyptic voice " in Aurora Leigh , she seems to be speaking of what Harold Bloom calls ( in relation to INTRODUCTION : APOCALYPSE THEN 27.
... usage . When , for example , Elizabeth Barrett Browning refers to " some trans- formed apocalyptic voice " in Aurora Leigh , she seems to be speaking of what Harold Bloom calls ( in relation to INTRODUCTION : APOCALYPSE THEN 27.
Сторінка 28
... refers to the Romantic sense that the awe - inspiring aspects of Nature communicate to the suppliant a reciprocity which implies that the world cannot be seen merely as an object , or as an " it . " The sublime draws the awe - stricken ...
... refers to the Romantic sense that the awe - inspiring aspects of Nature communicate to the suppliant a reciprocity which implies that the world cannot be seen merely as an object , or as an " it . " The sublime draws the awe - stricken ...
Сторінка 44
... refers to " battle within bat- tle " ( 61 ) , " the great battle of life " ( 64 ) , " the war of nature " ( 66 ) ; he speaks of " the war " between males competing for females and refers to some carnivorous animals as " well armed ...
... refers to " battle within bat- tle " ( 61 ) , " the great battle of life " ( 64 ) , " the war of nature " ( 66 ) ; he speaks of " the war " between males competing for females and refers to some carnivorous animals as " well armed ...
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Approaching Apocalypse: Unveiling Revelation in Victorian Writing Kevin Mills Перегляд фрагмента - 2007 |
Approaching Apocalypse: Unveiling Revelation in Victorian Writing Kevin Mills Попередній перегляд недоступний - 2007 |
Загальні терміни та фрази
apocalyptic appears associated become beginning biblical body book of Revelation called chaos chapter Christ Christian church close condition cultural Darwin death deep depth described divine dreams earth effect Elizabeth Barrett Browning emergence evident evolutionary example existence experience face fact figure George given heart heaven hope human interpretation James Jane John judgement kind language light limits London look margins matter meaning metaphor moral narrative nature never Night noted novel observed offers opening Origin Oxford perception poem possible reader refers relation religious represents Revelation rhetoric rise Rossetti seems seen selection sense serves significance sleep social society space species suggests surface takes temporal theory Thomson's thought tion Traveller Tree truth turn University Press urban veil Victorian vision woman women writing
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Сторінка 150 - And he opened the bottomless pit ; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.
Сторінка 35 - And I stood upon the sand of the sea; and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.
Сторінка 35 - And the beast which I saw was like unto a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion : and the dragon gave him his power, and his seat, and great authority.
Сторінка 48 - As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever-branching and beautiful ramifications.
Сторінка 68 - London. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln's Inn Hall. Implacable November weather. As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill.
Сторінка 35 - And before the throne there was a sea of glass like unto crystal: and in the midst of the throne and round about the throne were four beasts full of eyes before and behind.
Сторінка 35 - And I beheld, and, lo, in the midst of the throne, and of the four beasts, and in the midst of the elders, stood a Lamb, as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth.
Сторінка 29 - And, moved thro' life of lower phase, Result in man, be born and think, And act and love, a closer link Betwixt us and the crowning race Of those that, eye to eye, shall look On knowledge; under whose command Is Earth and Earth's, and in their hand Is Nature like an open book; No longer half-akin to brute, For all we thought and loved and did, And hoped, and suffer'd, is but seed Of what in them is flower and fruit; 822 Whereof the man, that with me trod This planet, was a noble type.
Сторінка 35 - And the four beasts had each of them six wings about him; and they were full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come.
Сторінка 66 - Along the tingling desert of the sky, Beyond the circle of the conscious hills, Were laid in jasper-stone as clear as glass The first foundations of that new, near Day Which should be builded out of heaven to God...