Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 28Gale Research Company, 1984 |
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Сторінка 243
... Antony and Cleopatra and Timon of Athens . ' II Shakespeare constructed the ending of Othello in such a way that Desdemona and Othello both expire on the ter- minal note of a single heroic couplet , each concerned primarily and ...
... Antony and Cleopatra and Timon of Athens . ' II Shakespeare constructed the ending of Othello in such a way that Desdemona and Othello both expire on the ter- minal note of a single heroic couplet , each concerned primarily and ...
Сторінка 257
... Antony and Cleopatra is linked to other types of water imagery which more directly suggest eva- nescence and illusion . Such is Caesar's image of the ' vag- abond flag upon the stream ' which ' Goes to , and back , lackeying the varying ...
... Antony and Cleopatra is linked to other types of water imagery which more directly suggest eva- nescence and illusion . Such is Caesar's image of the ' vag- abond flag upon the stream ' which ' Goes to , and back , lackeying the varying ...
Сторінка 259
... Antony's crocodile , Cleopatra is here unsearch- able in her difference . She is ancient , black , sun - burned , reptilian , intoxicated with her own poison : a Herodotean blend of the monstrous and the marvellous that resists language ...
... Antony's crocodile , Cleopatra is here unsearch- able in her difference . She is ancient , black , sun - burned , reptilian , intoxicated with her own poison : a Herodotean blend of the monstrous and the marvellous that resists language ...
Зміст
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York