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That shattered roof-and this naked floor

A table-a broken chair-
And a wall so blank my shadow I thank

For sometimes falling there!

"Work-work-work!

From weary chime to chime! Work-work-work

As prisoners work for crime!

Band, and gusset, and seam,

Seam, and gusset, and band

Till the heart is sick and the brain benumbed,

As well as the weary hand.

"Work-work-work

In the dull December light!

And work-work—work,

SONG OF THE SILENT LAND.

INTO the Silent Land!

Ah! who shall lead us thither?

Clouds in the evening sky more darkly gather, And shattered wrecks lie thicker on the strand; Who leads us with a gentle hand

Thither, O, thither!

Into the Silent Land?

Into the Silent Land!

To you, ye boundless regions

Of all perfection! Tender morning-visions Of beauteous souls! The Future's pledge and

band!

Who in Life's battle firm doth stand

When the weather is warm and bright! Shall bear Hope's tender blossoms While underneath the eaves

The brooding swallows cling,

As if to show me their sunny backs, And twit me with the Spring.

"O! but to breathe the breath

Of the cowslip and primrose sweetWith the sky above my head,

And the grass beneath my feet! For only one short hour

To feel as I used to feel,

Before I knew the woes of want
And the walk that costs a meal!

"O! but for one short hour

A respite however brief!

No blessed leisure for Love or Hope,
But only time for Grief!

A little weeping would ease my heart;
But in their briny bed

My tears must stop, for every drop
Hinders needle and thread!"

With fingers weary and worn,

With eyelids heavy and red,

A woman sat, in unwomanly rags,
Plying her needle and thread-

Stitch! stitch! stitch!
In poverty, hunger, and dirt;

And still, with a voice of dolorous pitch-
Would that its tone could reach the rich!—
She sang this "Song of the Shirt!"

THOMAS HOOD.

Into the Silent Land!

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Now all his labor's done!
Now, now the goal is won!
O, grave, we come!
Seal up the precious dust-
Land of the good and just,

Take the soul home!

CAROLINE BOWLES SOUTHEY.

THE PAUPER'S DRIVE.

THERE's a grim one-horse hearse in a jolly

round trot

He's taking a drive in his carriage at last ; But it will not be long, if he goes on so fast: Rattle his bones over the stones!

He's only a pauper, whom nobody owns!

You bumpkins! who stare at your brother conveyed

Behold what respect to a cloddy is paid!

And be joyful to think, when by death you're laid low,

You've a chance to the grave like a gemman

to go!

Rattle his bones over the stones!

He's only a pauper, whom nobody owns!

To the church-yard a pauper is going, I wot; But a truce to this strain; for my soul it is The road it is rough, and the hearse has no

springs;

sad,

To think that a heart in humanity clad

And hark to the dirge which the sad driver Should make, like the brutes, such a desolate

sings:

Rattle his bones over the stones!

He's only a pauper, whom nobody owns!

O, where are the mourners? Alas! there are

none

He has left not a gap in the world, now he 's gone

Not a tear in the eye of child, woman, or

man;

To the grave with his carcass as fast as you

can:

Rattle his bones over the stones!

He's only a pauper, whom nobody owns!

What a jolting, and creaking, and splashing,

and din!

The whip how it cracks! and the wheels, how they spin!

How the dirt, right and left, o'er the hedges is hurled!

The pauper at length makes a noise in the world!

Rattle his bones over the stones!

He's only a pauper, whom nobody owns!

Poor pauper defunct! he has made some approach

To gentility, now that he's stretched in a coach!

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LYCIDAS.

YET once more, O ye Laurels, and once more
Ye Myrtles brown, with Ivy never sere,

I come to pluck your berries harsh and crude,
And with forced fingers rude

With wild thyme, and the gadding vine o'er grown,

And all their echoes, mourn;

The willows, and the hazel copses green,
Shall now no more be seen,

Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,

Shatter your leaves before the mellowing Or taint-worm to the weanling herds that

year.

Bitter constraint, and sad occasion dear,
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.

Begin then, Sisters of the Sacred Well, That from beneath the seat of Jove doth spring,

Begin, and somewhat loudly sweep the string.
Hence with denial vain, and coy excuse;
So may some gentle Muse

With lucky words favor my destined urn,
And as he passes turn,

And bid fair peace be to my sable shroud;
For we were nursed upon the self-same hill,
Fed the same flock by fountain, shade, and
rill.

Together both, ere the high lawns appear-
ed

Under the opening eyelids of the morn,

We drove a-field, and both together heard
What time the gray-fly winds her sultry horn,
Battening our flocks with the fresh dews of
night,

Oft till the star that rose at evening bright
Toward Heaven's descent had sloped his
westering wheel.

Meanwhile the rural ditties were not mute,
Tempered to the oaten flute;

graze,

Or frost to flowers, that their gay wardrobe

wear,

When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.

Where were ye, Nymphs, when the re

morseless deep

Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep,
Where your old bards, the famous Druids,
lie,

Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard
stream-

Ay me! I fondly dream,

Had ye been there; for what could that have done?

What could the Muse herself that Orpheus

bore,

The Muse herself for her enchanting son,
Whom universal Nature did lament,
When, by the rout that made the hideous

roar,

His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?

Alas! what boots it with incessant care
To tend the homely, slighted shepherd's trade,
And strictly meditate the thankless muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neæra's hair?
Fame is the spur that the clear spirit doth
raise

(That last infirmity of noble minds) Rough Satyrs danced, and Fauns with cloven To scorn delights, and live laborious days;

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