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CHAPTER IV.

"He saw misfortune's cauld nor'-wast
Lang mustering up a bitter blast;

A jillet brak his heart at last,

Ill may she be !

So, took a berth afore the mast,

And owre the sea."

AMAICA was now his mark; and after some little time

estate of a Dr. Douglas in that colony, was procured for him by one of his friends in the town of Irvine. Money to pay for his passage, however, he had not; and it at last occurred to him, that the few pounds requisite for this purpose might be raised by the publication of some of the finest poems that ever delighted mankind.

His landlord, Gavin Hamilton, Mr. Aiken, and other friends, encouraged him warmly; and after some hesitation, he at length resolved to hazard an experiment which might perhaps better his circumstances; and, if any tolerable number of subscribers were procured, could not make them worse than they were already. His rural patrons exerted themselves with success in the matter; and so many copies were soon subscribed for, that Burns entered into terms with a printer' in Kilmarnock, and began to copy out his performances for

1 John Wilson, printer. Among other jokes, Burns made the man print the "Epitaph on Wee Johnie;" without giving him any hint that "Wee Johnie" was John Wilson.

the press. He carried his MSS. piecemeal to the printer; and, encouraged by the ray of light which unexpected patronage had begun to throw on his affairs, composed, while the printing was in progress, some of the best poems of the collection. The tale of the "Twa Dogs," for instance, with which the volume commenced, is known to have been written in the short interval between the publication being determined on and the printing begun. His account of the business, in his Autobiography, is as follows:

"I gave up my part of the farm to my brother: in truth, it was only nominally mine; and made what little preparation was in my power for Jamaica. But before leaving my native land, I resolved to publish my poems. I weighed my productions as impartially as was in my power: I thought they had merit; and it was a delicious idea that I should be called a clever fellow, even though it should never reach my ears-a poor negro-driver—or, perhaps, a victim to that inhospitable clime, and gone to the world of spirits. I can truly say, that, pauvre inconnu as I then was, I had pretty nearly as high an idea of myself and of my works as I have at this moment, when the public has decided in their favour. It ever was my opinion, that the mistakes and blunders, both in a rational and religious point of view, of which we see thousands daily guilty, are owing to their ignorance of themselves. To know myself, had been all along my constant study. I weighed myself alone: I balanced myself with others: I watched every means of information, to see how much ground I occupied as a man and as a poet: I studied assiduously Nature's design in my formation-where the lights and shades in character were intended. I was pretty confident my poems would meet with some applause; but at the worst, the roar of the Atlantic would deafen the voice of censure, and the novelty of West Indian scenes make me forget neglect. I threw off six hundred copies, for which I got subscriptions for

about three hundred and fifty.'-My vanity was highly gratified by the reception I met with from the public; and besides, I pocketed, all expenses deducted, nearly twenty pounds. This sum came very seasonably, as I was thinking of indenting myself, for want of money to procure my passage. As soon as I was master of nine guineas, the price of wafting me to the torrid zone, I took a steerage passage in the first ship that was to sail from the Clyde; for

'Hungry ruin had me in the wind.'

I had been for some days skulking from covert to covert, under all the terrors of a jail; as some ill-advised people had uncoupled the merciless pack of the law at my heels. I had taken the last farewell of my few friends; my chest was on the way to Greenock; I had composed the last song I should ever measure in Caledonia, The gloomy night is gathering fast,' when a letter from Dr. Blacklock to a friend of mine, overthrew all my schemes, by opening new prospects to my poetic ambition."

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To the above rapid narrative of the poet, we may annex a few details, gathered from his various biographers and from his own letters.

While his sheets were in the press (June-July, 1786), it appears that his friends, Hamilton and Aiken, revolved various schemes for procuring him the means of remaining in Scotland; and having studied some of the practical branches of mathematics, as we have seen, and in particular gauging, it occurred to himself that a situation in the Excise might be better suited to him than any other he

'Gilbert Burns mentions, that a single individual, Mr. William Parker, merchant in Kilmarnock, subscribed for thirty-five copies. [This happens to be another of Gilbert's blunders. Chambers has pointed out that Gilbert set down Parker's name instead of that of "Robert Muir, wine merchant, Kilmarnock."]

was at all likely to obtain by the intervention of such patrons as he possessed.

He appears to have lingered longer after the publication of the poems than one might suppose from his own narrative, in the hope that these gentlemen might at length succeed in their efforts in his behalf. The poems were received with favour, even with rapture, in Ayrshire, and ere long over the adjoining counties. "Old and young," thus speaks Robert Heron, "high and low, grave and gay, learned or ignorant, were alike delighted, agitated, transported. I was at that time resident in Galloway, contiguous to Ayrshire, and I can well remember how even ploughboys and maid-servants would have gladly bestowed the wages they earned the most hardly, and which they wanted to purchase necessary clothing, if they might but procure the works of Burns." The poet soon found that his person also had become an object of general curiosity, and that a lively interest in his personal fortunes was excited among some of the gentry of the district, when the details of his story reached them—a circumstance pretty sure to happen-along with his modest and manly preface.1

1 Preface to the First Edition.

"The following trifles are not the production of the poet, who, with all the advantages of learned art, and, perhaps, amid the elegancies and idlenesses of upper life, looks down for a rural theme, with an eye to Theocritus or Virgil. To the author of this, these and other celebrated names their countrymen are, in their original languages, a fountain shut up, and a book sealed. Unacquainted with the necessary requisites for commencing poet by rule, he sings the sentiments and manners he felt and saw in himself and his rustic compeers around him, in his and their native language. Though a rhymer from his earliest years, at least from the earliest impulses of the softer passions, it was not till very lately that the applause, perhaps the partiality, of friendship, wakened his vanity so far as to make him think any thing of his worth showing; and none of the following works were composed with a view to the press. To amuse himself with the little creations of his own

Among others, the celebrated Professor Dugald Stewart of Edinburgh, and his accomplished lady, then resident at their beautiful seat of Catrine, began to notice him with much

fancy, amid the toil and fatigues of a laborious life; to transcribe the various feelings, the loves, the griefs, the hopes, the fears, in his own breast; to find some kind of counterpoise to the struggles of a world, always an alien scene, a task uncouth to the poetical mind-these were his motives for courting the Muses, and in these he found poetry to be its own reward.

"Now that he appears in the public character of an author, he does it with fear and trembling. So dear is fame to the rhyming tribe, that even he, an obscure, nameless bard, shrinks aghast at the thought of being branded as 'an impertinent blockhead, obtruding his nonsense on the world; and, because he can make a shift to jingle a few doggerel Scotch rhymes together, looking upon himself as a poet of no small consequence, forsooth!'

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"It is an observation of that celebrated poet, Shenstone, whose divine elegies do honour to our language, our nation, and our species, that ' Humility has depressed many a genius to a hermit, but never raised one to fame!' If any critic catches at the word genius the author tells him, once for all, that he certainly looks upon himself as possessed of some poetic abilities, otherwise his publishing in the manner he has done, would be a manoeuvre below the worst character which, he hopes, his worst enemy will ever give him. But to the genius of a Ramsay, or the glorious dawnings of the poor, unfortunate Fergusson, he, with equal unaffected sincerity, declares that, even in his highest pulse of vanity, he has not the most distant pretensions. These two justly admired Scotch poets he has often had in his eye in the following pieces; but rather with a view to kindle at their flame, than for servile imitation.

"To his subscribers, the author returns his most sincere thanks. Not the mercenary bow over a counter, but the heart-throbbing gratitude of the bard, conscious how much he owes to benevolence and friendship for gratifying him, if he deserves it, in that dearest wish of every poetic bosom-to be distinguished. He begs his readers, particularly the learned and the polite, who may honour him with a perusal, that they will make every allowance for education and circumstances of life; but if, after a fair, candid, and impartial criticism, he shall stand convicted of dullness and nonsense, let him be done by as he would in that case do by others let him be condemned, without mercy, to contempt and oblivion."

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