Shakespeare's SonnetsRoutledge, 13 вер. 2013 р. - 200 стор. This edition first published in 1979. Discussing Shakespeare's sonnets in relation to sonnets by Italian, French and English poets, Kenneth Muir shows how they were influenced by Shakespeare's reading of Sidney, Erasmus and Ovid and discusses their art in terms of construction, sound patterns and imagery. He considers the relationship of the sonnets to Shakespeare's dramatic writing, while stressing the dramatic element in the sonnets themselves. Finally he surveys the changing attitudes to the sonnets during the last three centuries. |
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... rhyme could hardly be substantiated without publication at some time. Others have pointed out that the publisher would not have withdrawn a profitable volume because of complaints by the author, but he would doubtless have succumbed to ...
... rhyme could hardly be substantiated without publication at some time. Others have pointed out that the publisher would not have withdrawn a profitable volume because of complaints by the author, but he would doubtless have succumbed to ...
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... rhyme-words from the previous sonnet ('thee' and 'gone'). In the same way CXXXV and CXXXVI share the rhymes 'still' and 'Will'. There are other manifest pairs which echo the rhymes but not the identical words. Nor is this surprising. A ...
... rhyme-words from the previous sonnet ('thee' and 'gone'). In the same way CXXXV and CXXXVI share the rhymes 'still' and 'Will'. There are other manifest pairs which echo the rhymes but not the identical words. Nor is this surprising. A ...
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... rhymes, one would not wish to juxtapose 'Shall I compare thee to a summer's day?' (XVIII) and 'Th'expense of spirit in ... rhyme-links and he has only occasional references to other editors. He relies on logical and thematic connections ...
... rhymes, one would not wish to juxtapose 'Shall I compare thee to a summer's day?' (XVIII) and 'Th'expense of spirit in ... rhyme-links and he has only occasional references to other editors. He relies on logical and thematic connections ...
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... rhymes (I, II 'eyes'/'lies'; III, IV 'be'/'thee'; XVI, XVII 'rhyme'/'time'; XXXIII, XXXIV 'face'/'disgrace'; XXXVI, XXXVII 'spight'/'delight', 'thee'/'me'; XXXVIII, XXXIX 'me'/'thee'; XLVI, XLVII 'heart'/'part'; CVI, CVII 'time'/'rhyme ...
... rhymes (I, II 'eyes'/'lies'; III, IV 'be'/'thee'; XVI, XVII 'rhyme'/'time'; XXXIII, XXXIV 'face'/'disgrace'; XXXVI, XXXVII 'spight'/'delight', 'thee'/'me'; XXXVIII, XXXIX 'me'/'thee'; XLVI, XLVII 'heart'/'part'; CVI, CVII 'time'/'rhyme ...
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... rhyme, While he insults o'er dull and speechless tribes; And thou in this shalt find thy monument When tyrants' crests and tombs of brass are spent. It will be recalled that Hotson believes that this sonnet was written in 1588 and that ...
... rhyme, While he insults o'er dull and speechless tribes; And thou in this shalt find thy monument When tyrants' crests and tombs of brass are spent. It will be recalled that Hotson believes that this sonnet was written in 1588 and that ...
Зміст
Tradition and the Individual Talent | |
Commentary | |
Style | |
The Truest Poetry | |
Links With Other Works | |
Critical History | |
C The Rival Poets | |
Notes | |
Select Bibliography | |
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addressed alliteration appears argued argument Astrophil and Stella autobiographical Baldwin beauty beauty's believe Berowne's C. S. Lewis Chapter compared concerned contrast critics Dark Lady Dark Lady sonnets death doth Dover Wilson dramatic Drayton echoed edition Elizabethan Sonnet Emilia Lanier Erasmus Essay example eyes fair flowers friendship hath heart Hotson Hubler ibid idea imagery imitated immortalising immortality Keats Kenneth Muir later linked live loue Love's Love's Labour's Lost lover Lover's Complaint lust marry means Melchiori merely mistress Ovid parallels Petrarch phrase plays poem Poet's poetry praise previous sonnet Psalms quatrain quibbles refer rhyme Rival Poet Rollins Ronsard second quatrain seems sequence seventeen sonnets sexual Shakespeare Shakespeare's Sonnets shame Sidney Sidney's Sonnets were written Southampton Spenser spirit Stephen Booth suggested summer's sweet thee theme thine third quatrain thought Time's translation true Venus and Adonis verse words writing wrote XCIV